Author name: Skiffy Fanty

Blog Posts

The Disquieting Guest — Tentacles and Patriarchy

As something of an appendix to our Shoot the WISB discussion of the new Godzilla (where we were joined by Rachael Acks), I thought I’d talk a bit about something that I’ve always found very striking about It Came from Beneath the Sea (1955):  the portrayal of Faith Domergue’s character, Professor Lesley Joyce. She is, on the one hand, part of a mini-trend in 50s monster movies where women are scientists (Them!, Creature from the Black Lagoon), roles that were virtually non-existent in the films of the preceding decades.* What makes It stand out, though, is that the narrative is at least as concerned with Joyce’s struggles to be taken seriously in a male-dominated world as it is about Ray Harryhausen’s magnificent octopus. Joyce is, unsurprisingly, the only female character of any importance in the film. What is unusual, however, is that we are meant to notice her position, repeatedly pointed out in her interactions with submarine commander Peter Mathews. The latter is played by Kenneth Tobey, doing very much the same self-confident officer as in The Thing (1951). He keeps refusing to take her seriously, and the body language in the (colourized) still below is pretty telling:

Blog Posts

Book Review: The Dirty Streets of Heaven by Tad Williams

Doloriel, a.k.a. Bobby Dollar, has a tough job for an angel. He’s an advocate, which means when someone dies, he gets the call to argue that the soul should go to Heaven. Or, at worst, Purgatory. Every death has an on-the-spot trial, with a representative from Heaven and Hell arguing for the soul before an impartial judge. It gets even tougher when the impossible happens — a soul disappears from the body of a recently deceased before that judgement can take place. Hell blames Heaven. Heaven thinks it’s Hell doing a false flag operation.The rules are going out the window, and Bobby is in the middle. Add in the fact that more souls are disappearing, everyone thinks Bobby has something unique, special and oh-so-coveted, and Bobby is in a run and gun for stakes that are getting larger moment by moment… As I said, Bobby Dollar has a tough job, but he’s also not an ordinary angel by any means…

The Skiffy and Fanty Show Podcasts

207. David Edison (a.k.a. Kahlua Engine) — The Waking Engine (An Interview at ICFA)

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode207InterviewWDavidEdisonAtICFA/SandF%20–%20Episode%20207%20–%20Interview%20w%20David%20Edison%20at%20ICFA.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSCities of the dead, sass, and New Yorkers, oh my!  Shaun and Julia have a little fun with David Edison in a hotel room.  We talk about words, David’s new book, The Waking Engine, the after life, urban fantasy, his publishing journey, Torchwood, and a whole lot of random, silly stuff, and sass. We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 207 — Download (MP3) Show Notes: David’s Website David’s Book David’s Twitter You can also support this podcast by signing up for a one month free trial at Audible.  Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks!  Thanks for listening.  See you next week.

Announcements and Errata

Top 10 Episodes and Blog Posts for May 2014

May was a busy month.  Here’s what you were all enjoying! Top 10 Episodes: #20. Captain America: the Winter Soldier (2014) — A Shoot the WISB Subcast 204. Caribbean SF w/ Karen Lord, Tobias Buckell, and Stephanie Saulter — #WorldSFTour Episode 4.2 — Torture Cinema Meets The Wicker Man 205. Mary Anne Mohanraj & Cecilia Tan at ICFA (An Interview) #WorldSFTour 203. Stephanie Saulter (a.k.a. The Jeweler) — Gemsigns (An Interview) #worldsftour 201. The Hugo Awards (A Discussion w/ Justin Landon and Natalie Luhrs) #19. Babylon 5 (S1D5&6: Eps 17-22) — A Shoot the WISB Subcast #22. Godzilla (2014) — A Shoot the WISB Subcast w/ Rachael Acks 199. Sofia Samatar (a.k.a. Malkia wa Ndoto) at ICFA (An Interview) #WorldSFTour 141. Final Hugo Thoughts + the Hugh Howey Fiasco w/ Justin Landon and Jonathan McCalmont Top 10 Blog Posts: Book Review: Veil of the Deserters by Jeff Salyards (by Paul Weimer) Language in the Written Word by Charles Tan Thoughts on the Hugo Nominated Short Stories by Adam Callaway Book Review: The Best Fantasy and Science Fiction of the Year, Volume 8 (by Paul Weimer) 2014 Hugo Award Episode Pack: Download away! On Recent South(east) Asian SF/F by Benjanun Sriduangkaew (Guest Post) My Superpower: James L. Sutter My Superpower: Cassandra Rose Clarke Business Time – Many Paths up the Mountain by Mike Underwood Mining the Genre Asteroid: The Dictionary of the Khazars by Milorad Pavic (by Paul Weimer) Enjoy!

Blog Posts

When Calls for Diversity Are Not Enough

As a writer and reader based in Southeast Asia, I’ve been pondering the term “diversity” — at least, in the context of it’s use on the Internet. First, it’s focused on the Western publishing industry. Filipino publishers publish Filipino-authored works for example (although our publishing industry has different issues of diversity). The same goes for publishers in Malaysia, China, South Africa, etc. I do think it’s important to focus on the Western publishing industry, because it’s usually a one-way street:  books from the Philippines rarely go out of the Philippines, but books from the US or the UK gets distributed around the world. A novel like Moxyland by Lauren Beukes, published by both Jacana Media in South Africa and Angry Robot Books in the US/UK, is the exception to the norm. And in my case here in the Philippines, there are some Filipino books that might not have been picked up by a local publisher if it weren’t acquired by a US/UK publisher first. And for all the talk about diversity in the US publishing industry, we have conversations like the ones mentioned by Jennifer Pan & Sarah McCarry.

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