Author name: Daniel Haeusser

Daniel Haeusser (He/Him) is an Associate Professor of Biology who teaches microbiology and biochemistry. He researches bacterial cell shape & division, and phage (bacterial viruses) that alter either in their host during infection. His constant reading spans many genres, but SF, Fantasy, Horror, mystery, and world literature remain closest to his heart. His regular book reviews can be found at Reading 1000 Lives, and he also contributes reviews to Strange Horizons, Fantasy Book Critic, Speculative Fiction in Translation, and World Literature Today. You can connect with him on Goodreads or Bluesky.

Blog Posts

A Book by its Cover – Chuck Wendig #5: The Raptor and the Wren by Miriam Black

/

After a few entries, popular series can become quite problematic. The author can stick to what works and hit all the same notes that brought success and breed comfortable familiarity. Scores of fans will eat it up, but it risks the series turning formulaic and dull. The author can try to switch things up, reinvent a groundbreaking core, or diverge the story into new characters and territory. But change too much of what the fans hold dear without winning some new hearts, and it could all come crashing down.

Blog Posts

Book Review: THE ART OF STARVING by Sam J. Miller

/

A few years back I quickly fell in love with the short fiction of Sam J. Miller. Published across a spectrum of electronic genre venues (Shimmer, Apex, Lightspeed, Nightmare, Clarkesworld, Uncanny), Miller also gained recognition in print with “Calved”, originally published in Asimov’s Science Fiction and reprinted in multiple ‘Year’s Best’ anthologies. I’m drawn to Miller’s fiction for several reasons that tie together. Foremost are his characters: strong and unique voices that reflect points of views not frequently explored in genre fiction. Even though these characters may often be very different from myself – with conditions or experiences I’ve never faced – Miller excels at making them universally relatable. His themes focus on the strengths and weaknesses of their basic humanity. Beautiful mixtures of fragility and fortitude, Miller’s characters compel reader empathy and emotion, even if the character’s specific situation is personally unfamiliar to the reader. This character-driven realism gives Miller’s insightful explorations a mainstream, literary tone. Yet, Miller’s stories are firmly in the genre camp. It is this deft balance between literary realism and the uncanny or speculation of SciFi/Fantasy/Horror that I enjoy so much.

Blog Posts

Reviews: Beautiful Sorrows by Mercedes M. Yardley & Everything That’s Underneath by Kristi DeMeester

/

Many of the reviewers associated with the Skiffy and Fanty team have a contribution specialty. I’ve always avoided this because I don’t like the limitations; I read/review outside of these genres even. But if I were to have a niche, it would probably be short fiction. I adore the variety it affords and the low commitment to discover new authors. It’s easier to convince myself to step away from work for a moment to read a short story, compared to equal time reading a portion of longer works that may not have obvious stopping points. Most importantly, some of the most exciting writing I’ve seen comes from the short form.

Blog Posts

Month of Joy: Ramblings on Biology Simple and Profound by Daniel Haeusser

/

It has taken me all of this month to figure out what to write. It often seemed like joy has been eluding me, what with the dire and painful state of so much sociopolitically in the world. It took me awhile to step back and remember just how much joy there is, all around. The Earth teems with it. When I was a younger reader I discovered books on the topic of cryptozoology, ones by Ivan T. Sanderson on through modern authors. The lure behind the idea that there might still be fantastic beasts out there in the world to discover fueled my excitement, hope, and imagination. But finding these cryptids, if they did exist, would certainly not be easy, and I was no Newt Scamander. However, one of the creatures the authors of these books brought up had been ‘discovered’ and scientifically recognized, despite first thought a myth by Europeans. That animal is the okapi, a half-zebra-half-giraffe animal from the dense jungles of the Democratic Republic of the Congo. The okapi stuck in my mind as something rare and miraculous, a fantastic beast that I might actually be able to see.

Blog Posts

A Book By Its Cover: Autonomous by Annalee Newitz

/

From Karel Čapek’s R.U.R. to Daniel H. Wilson’s Robopocalypse to Matt “Grim-Dark” Groening’s upcoming Futurama X-Treme, the standard script for science fiction featuring artificial intelligence (AI) has been machine rising up against humanity. This theme reached its artistic pinnacle in 1953 with the widely acclaimed masterpiece Robot Monster from noted auteur Phil Tucker, a cinematic disciple of Bresson and Ozu. The plot should be as obsolete as MS-DOS 4.0. Yet, authors and Hollywood writers all keep going back to the robot production factory for ideas. The fear inherent in this fiction has historically accompanied each technological development; with each increase in technology’s power and reach, so goes the fear. Recently, both Stephen Hawking and Elon Musk voiced concerns and warnings regarding AI. Yes, it is true that Hawking and Musk are both usually known for lunatic ramblings, but their warning here does seem logical and warranted.

Blog Posts

Book Reviews: Martian Girls, Home and Abroad

/

Martians Abroad by Carrie Vaughn & Mars Girls by Mary Turzillo Two young adult (YA) novels featuring feisty teen heroines from Mars recently landed in my to-be-read pile. Beyond the surface similarity between their protagonists, the two novels diverge completely, each with unique focus and drive, and different kinds of success. Newly out in trade paperback from Tor, Martians Abroad by Carrie Vaughn is the simpler of the two, written with familiar themes (adversity-conquering intellect, exceptionalism) that recall YA science fiction adventures from ‘Golden Age’ writers like Heinlein. The plot of this stand-alone novel from Vaughn is even more broadly recognizable as a typical coming-of-age setup. A teen leaves the familiarity of home to enter an institution populated by antagonistic peers and aloof adults. The ridiculed outcast slowly proves the utility of her or his outsider perspective/experience, showing-up the cliques and saving the day.

Scroll to Top