No need for introductions. You’ve got the question and fingers for typing. So do some thinking and offer your responses in the comments below.
To get things started, here are our answers:
Who would have thought that I’d pick another “literary” SF novel, replete with intense character development, an extraordinarily rich near future world with a slice of the weird, and an unconventional narrative style? Oh, right. That’s normal for me. And that’s why I’ve picked Lost Everything. Brian Francis Slattery’s novel blew me away last year. You could call it a “river novel” set in a near-apocalyptic future and get away with loose comparisons to Mark Twain and Cormac McCarthy — comparisons even I’ve made. But I think there’s something more to Lost Everything. The characters are complex and beautiful, the world terrifying and yet strangely enticing, and the narrative just slightly off kilter enough to make this more than just another “dystopia.” The deeper I got into the book, the more intrigued I was by the characters and their way of viewing the world. From houseboat scenes, savage war with no apparent end goal, and a mysterious super storm set on destroying everything, Lost Everything never ceased to amaze me. It’s the kind of book only Slattery can write, but also the kind of book that SF desperately needs because it has a depth of “reality” that so many SF novels lack (perhaps because they are too focused on plot and action). We’ll see if it makes any awards lists this year… Continue reading →
We’re sure to get more of the classic villains in the final episodes of this season of Doctor Who. Some of these have been with us since the beginning (or close enough) and haven’t had the same scary effect on audiences in the new incarnation of DW. But should the makers of DW retire some of these classic villains? Or are some of the newer villains worse?
That’s what we want to know. If you were going to retire one a Doctor Who villain, who/what would it be and why?
Jen and I were supposed to read Tom Kratman’s Caliphate, but after trying to read the book, we realized that the kind of bad we are looking for when we do these Torture Media segments doesn’t exist there. Caliphate is a bad book, but it’s not a book that we can make fun off without crossing our own lines of comfort with comedy.
That’s where you all come in! We need to pick a movie for Torture Cinema, and fast! If you’ll be so kind, please vote for the bad movie you’d like us to watch this week to fill the gap.
This week’s episode is an impromptu discussion about some fantastic topics (thanks a lot, Stina Leicht, for making us ramble like buffoons). On today’s show: Paul Weimer forces us to attempt, albeit at the last minute, urban fantasy; Doctor Who finally has a new companion, about which we feel like bitching; and apparently science fiction in American TV is dying (yes, we’re not playing the “SF is dying” game; specificity is everything).
We hope you enjoy the episode!
Note: If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show!
Note 2: Because we only briefly covered defining urban fantasy in this episode, we are going to bring it into our interview this week with Stina Leicht. Expect more discussion then!
This week, we really want to know about the SF/F books you’ve read that made you cry. What about those books put tears in your eyes?
The last book to make me cry was the 6th Harry Potter book, in part because I had fallen in love with Richard Harris’ portrayal of Dumbledore. I cried from the moment of Dumbledore’s death until the end (a good 40 pages worth of crying) and my sister had to console me.
What about you?
(To be fair, this feature has never been a weekly thing. So be it.)