There’s a lot of sniping going on across genders in our field. Vitriolic sniping. Shame on us.
Yes, science fiction is largely male dominated. So are a lot of fields. I know. My day job is in technology, where I’m a c-level exec. It wasn’t necessarily easy to get here even though I live in the liberal bubble of the West Coast where it’s easier than it is in a lot of places. I’ve been living this conversation my whole life across multiple fields of endeavor. Yes, it sucks. Yes, it needs to stop. But sniping isn’t the answer. Mind you, I’d be fine with sniping if it worked. It’s kind of fun. But as far as I can tell, it’s not effective.
Yes, there are truly evil men out there in the midst of the current social fights, like whoever issued the death threats to women writing about feminism in the game world. This is not an article about how to deal with them. Jail time would be a great start. Continue reading →
My Superpower is a regular guest column on the Skiffy and Fanty blog where authors and creators tell us about one weird skill, neat trick, highly specialized cybernetic upgrade, or other superpower they have, and how it helped (or hindered!) their creative process as they built their project. Today we welcome Carrie Patel to talk about how the power of making lists relates to The Buried Life.
Once upon a time, I had the uncanny ability to down lots of mimosas without suffering any ill effects afterwards. I’d tell you my record, but my mother will probably read this.
However, as I creep closer to thirty, I’ve traded in some of my youthful superpowers (infinite mimosas, staying up for two days in a row) for more grown-up abilities. Continue reading →
Left over to review as part of last year’s World Tour of SFF, Use Only As Directed fits just as nicely into the Women and Non-Binary in SFF theme for Skiffy & Fanty this year. The latest anthology from Peggy Bright Books, edited by Simon Petrie and Edwina Harvey, Use Only As Directed features Australian and New Zealand authors – of whom over 50% are female – crafting short stories around the titular phrase that one commonly reads on instructions for everything from medicine to the latest gadget.
The anthology’s predominant characteristic is its well-balanced diversity in authors and styles, with an array of female, male, and nonhuman characters and a range across genres from horror to fantasy to science fiction. Author nationality and the unifying theme bring the major constants — though given the Australian/New Zealand focus, racial diversity is not really present here. Continue reading →
February’s shorts include emotionally resonant stories about family and friendship and trippy genre-benders.
“The Language of Knives” by Haralambi Markov (Tor.com) is a secondary world fantasy in which the main character has given up the life of a warrior and chosen to prepare the dead; when he must perform this task for his husband, he mourns not only his lover but also substantially lesser status in the eyes of his daughter. Parents having favorites amongst their children is very much part of our cultural milieu, but not so frequently presented is the reverse, and this is a rendering of complex emotions that feels very true. Gwendolyn Clare’s “Indelible” (Clarkesworld #101) is another such resonant tale of grief, following the loss of one’s sister in a science fictional far future in which aliens are characterized by their physical malleability. Continue reading →
Zombie soldiers, evil spirits, and body farms, oh my! Myke Cole returns to the show to talk about his fourth novel, Gemini Cell. We talk to him about some of his writing “firsts” (standalone novels, sex scenes from different POVs, etc.), the inner conflicts of his new characters, military life, and so much more.
We hope you enjoy the episode!
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