Reviews: Beautiful Sorrows by Mercedes M. Yardley & Everything That’s Underneath by Kristi DeMeester
Many of the reviewers associated with the Skiffy and Fanty team have a contribution specialty. I’ve always avoided this because I don’t like the limitations; I read/review outside of these genres even. But if I were to have a niche, it would probably be short fiction. I adore the variety it affords and the low commitment to discover new authors. It’s easier to convince myself to step away from work for a moment to read a short story, compared to equal time reading a portion of longer works that may not have obvious stopping points. Most importantly, some of the most exciting writing I’ve seen comes from the short form.
The Disquieting Guest — Ruth Rose
February is Women in Horror Month (details about which can be found here), and in the spirit of that celebration, let me say a few words of appreciation for Ruth Rose, the screenwriter to whom all giant apes owe a great debt. Her most celebrated contribution to horror film is her re-writing of the script for King Kong, though she also wrote Son of Kong (1933) and Mighty Joe Young (1949). I want to pause on her contribution to King Kong, though, because what she did with an already existing story gave it a sophistication and a depth that the film’s remakes, no matter how ambitious, have failed to equal. King Kong’s original script was by the mystery novelist Edgar Wallace, who died before he could revise the initial draft. This was extensively reworked by James A. Creelman, and then his script was, in turn, reworked by Rose. Ray Morton’s King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson describes Ruth’s specific contributions, such as streamlining the plot and improving the dialogue, but what I find most interesting is this:
