My Superpower: Rhiannon Held
My Superpower is a regular guest column on the Skiffy and Fanty blog where authors and creators tell us about one weird skill, neat trick, highly specialized cybernetic upgrade, or other superpower they have, and how it helped (or hindered!) their creative process as they built their project. Today we welcome Rhiannon Held to talk about how the power of Metaphor relates to Reflected. ———————————- I am proud to say that my superpower is the power of METAPHOR. I’ve had it all my life, but never realized it until I started writing and learned to nurture my metaphor in a conscious way to make my novels richer. My newest book, Reflected, has metaphor on a number of different levels, and I’m continually grateful that’s the superpower I received when such things were being handed out. Now, to forestall the few pedants and people eager to prove they were paying attention in junior high English out there, I’m going to talk about metaphor in a large, umbrella sense. When it comes down to sentence structure, there is indeed a terminology difference between saying “My heart is a lump of coal” and “My heart is like a lump of coal.” The former’s a metaphor, and the latter’s a simile.
Book Review: Hang Wire by Adam Christopher
Everyone loves the circus, even a city as already rich in culture and history as San Francisco, city by the bay. Site of famous (infamous) earthquakes. Home to Bob, the shirtless guy who teaches people to dance on the beach in Aquatic Park. There are godlings and beings running around with strange powers, and the circus itself, of course, is not all that it is appears. Its proprietor is a bit of an odd duck, and what’s with that Riverdance-esque acrobat troupe, anyway? And their latest performer, no matter how good, is a man of mystery. Oh, and did I mention there’s a killer running around the city, a serial killer to equal the old Zodiac murder spree? In the end, everything revolves around the so called Hang Wire Killer in Hang Wire, a novel by Adam Christopher.
My Superpower: Christian Baines
My Superpower is a regular guest column on the Skiffy and Fanty blog where authors and creators tell us about one weird skill, neat trick, highly specialized cybernetic upgrade, or other superpower they have, and how it helped (or hindered!) their creative process as they built their project. Today we welcome Christian Baines to talk about how his power of recognizing non-humans relates to The Beast Without. —————————— My name’s Christian Baines, and I’m one of a handful of people blessed, cursed, enriched, soundly spanked or however you want to see it with the ability to immediately spot creatures that look human, but aren’t. You know the list. Vampires, werewolves, demons, Kardashians. Kidding. I really wouldn’t know a Kardashian if I fell over one.
194. Adam Christopher (a.k.a. the Cosmic Terror): Hang Wire (2013)(An Interview)
http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode194InterviewWAdamChristopher/SandF%20–%20Episode%20194%20–%20Interview%20w%20Adam%20Christopher.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSSerial killers, cosmic horrors, and immortals, oh my! Adam Christopher joins Paul and Shaun to discuss his new novel, Hang Wire. We discuss the nature of horror in his work, gods and immortals, how real life is stranger than fiction, and so much more. We hope you enjoy the episode! Note: If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 194 — Download (MP3) Show Notes: Adam’s Website Adam’s Twitter Adam’s Books You can also support this podcast by signing up for a one month free trial at Audible. Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks! Thanks for listening. See you next week.
191. Myke Cole (a.k.a. Sergeant Tibbs): Breach Zone (2014)(An Interview)
http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode191AnInterviewWMykeCole/SandF%20–%20Episode%20191%20–%20An%20Interview%20w%20Myke%20Cole.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSMagic wars, goblins, and love, oh my! Myke Cole returns once more with another incredible work of fantasy fiction, Shadow Ops: Breach Zone. We dig into the complicated relationship between the military and the general public, the development of the novels in Shadow Ops series, and so much more. Spoiler warning: if you have not read the previous two books in the series, Control Point and Fortress Frontier, we recommend doing so before listening to this episode. While we don’t ruin those books, we obviously discuss some of the details in their connection to Breach Zone. We hope you enjoy the episode! Note: If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 190 — Download (MP3) Show Notes: Myke’s Website Myke’s Twitter Myke’s Books You can also support this podcast by signing up for a one month free trial at Audible. Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks! Thanks for listening. See you next week.
Worldbuilding: Why It Ain’t So Easy
So, I appeared at an event at the San Marcos Library on Sunday where I’d been asked to give a talk about research. During the question and answer section, someone asked me why I would go to all the trouble of setting a fantasy in the real world? “Why do that when you can just make stuff up? That’s easier, after all. It’s a short cut!” Yeah. Um. Not so much. First, writing isn’t easy, nor is making up stuff. Worldbuilding is hard work — very difficult, detailed work. If you’re not thinking about the worldbuilding aspects of your story that much, then what you’re doing is probably derivative, and that’s not good. It’s far easier to work with environments with which the reader is already familiar than it is to make up a foreign world and make it plausible. There are certain cues
