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315. Foz Meadows (a.k.a. The Portalist) — An Accident of Stars (An Interview)

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode315InterviewWFozMeadows/Sandf–Episode315–InterviewWFozMeadows.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSPortal worlds, schoolyard bullies, and magic, oh my! In our second interview for the year, Shaun and Paul talk to Foz Meadows about their debut novel, An Accident of Stars. We explore the novel’s central premise, its feminist message, and so much more! We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 315 — Download (MP3) Show Notes:

272. German Language SF at LonCon3 w/ Martin Stricker, Ju Honisch, Oliver Plaschka, Volker Tanger, and Stefanie Zurek

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode272GermanLanguageSFAtLonCon3/SandF%20–%20Episode%20272%20–%20German%20Language%20SF%20at%20LonCon3.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSAchtung, deutsche Science-Fiction im Haus!  In our last recording from LonCon3, we present the panel on German Language SF featuring Martin Stricker, Ju Honisch, Oliver Plaschka, Volker Tanger, and Stefanie Zurek! Here is the panel description: Recent years have seen several major German SF novels appear in English, including Wolfgang Jeschke’s “The Cusanus Game”, Frank Schatzing’s “The Swarm”, and Julie Zeh’s “The Method”. Are these representative of the contemporary German field? Which other writers (and film-makers, and TV shows) are defining contemporary German SF? We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 272 — Download (MP3) Show Notes:

269. Eric Choi (a.k.a. The Space Dragon) — An Interview at LonCon3

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode269EricChoiAtLonCon3/SandF%20–%20Episode%20269%20–%20Eric%20Choi%20at%20LonCon3.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSHard SF, airplanes, and anthology masters, oh my!  Eric Choi joined us at LonCon3 last year to discuss writing, his editing work (with Ben Bova, of all people), and much more!  Plus, we learned a little bit about airplanes as they flew over us. We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 269 — Download (MP3) Show Notes:

268. Eastern European and Baltic SF/F at LonCon3 w/ Michael Burianyk, Stanislaw Krawczyk, Irena Raseta, Ivaylo Shmilev, and Imants Belogrîvs

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode268EasternEuropeanAndBalticSFFAtLonCon3/SandF%20–%20Episode%20268%20–%20Eastern%20European%20and%20Baltic%20SFF%20at%20LonCon3.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSLive from LonCon3 (and very late on our podcast feed):  a panel on Eastern European and Baltic sf/f featuring the lovely voices of Michael Burianyk, Stanislaw Krawczyk, Irena Raseta, Ivaylo Shmilev, and Imants Belogrîvs! The panel description was as follows: In the Anglophone World, probably the best-known Eastern European science fiction and fantasy writers are Stanislas Lem and Karel Capek, and in recent years Zoran Zivkovic and Andrzej Sapkowski. But this region has produced many fine writers of fantastika. Which other writers should Anglophone readers be aware of? Our panel of writers and readers from Croatia, Poland, Bulgaria and Latvia will discuss current trends, perennial themes, and future hopes.

266. Juliet E. McKenna (a.k.a. the Historian) — An Interview at LonCon3

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode266JulietEMcKenna/SandF%20–%20Episode%20266%20–%20Juliet%20E%20McKenna.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSLondon, airplanes, and history degrees, oh my!  Author Juliet E. McKenna joined Shaun, Julia, and Paul at LonCon3 last year to discuss her work, politics and their influence, her experience with historical research, and feminism! We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 266 — Download (MP3) Show Notes:

Book Review: Use As Directed Review edited by Simon Petrie and Edwina Harvey (Peggy Bright Books)

Left over to review as part of last year’s World Tour of SFF, Use Only As Directed fits just as nicely into the Women and Non-Binary in SFF theme for Skiffy & Fanty this year. The latest anthology from Peggy Bright Books, edited by Simon Petrie and Edwina Harvey, Use Only As Directed features Australian and New Zealand authors – of whom over 50% are female – crafting short stories around the titular phrase that one commonly reads on instructions for everything from medicine to the latest gadget. The anthology’s predominant characteristic is its well-balanced diversity in authors and styles, with an array of female, male, and nonhuman characters and a range across genres from horror to fantasy to science fiction. Author nationality and the unifying theme bring the major constants — though given the Australian/New Zealand focus, racial diversity is not really present here.