Retro Nostalgia: The City of Lost Children (1995), Visual Rhetoric, and the Critic’s Confused Apparatus
May 2015 marks the 20th anniversary of the premiere of Marc Caro and Jean-Pierre Jeunet’s The City of Lost Children (1995). It is perhaps the most recognizable example of contemporary surrealist cinema, and it remains one of Caro and Jeunet’s most well-regarded works.* The surrealist nature of the film is fairly evident from even a […]