Book Review: Valhalla by Ari Bach
Valhalla, written by Ari Bach, is dark, gritty, dangerous, and subtly representative. Bach unpacks his new world, layering loud violence, subtle queer identities, and a disturbing dystopian premise that promises an interesting alternative. Valhalla pushes the boundaries of science fiction to make you question the lines drawn between dystopian governments, outside companies, and the people who make up the world those entities control, and sets up the foundation for a strong trilogy that centers around a queer female protagonist. Violet MacRae is our wonderfully violent narrator, living in the year 2230, when war is obsolete and most everyone knows their place. With her propensity for violence and her less than spectacular intelligence, Violet doesn’t fit in, and doesn’t want to. Faced with uncertainty about her immediate future, and ostracized from the only place in polite society that she had even a slight chance of fitting into, Violet returns to an empty home and is subsequently snatched up by Valhalla. That is a secret military-esque organization that keeps the outer world in line with their unique methods, and there, Violet finds a real home. But Valhalla and her new friends are in danger, and Violet finds her new skills are stretched to the limit as she defends her safe haven from genetically enhanced criminals.
Short and Sublime: March 2015 Round-Up
March has been a month of unusual settings, stories of alienation and loss, and meditations on the nature of time. Tade Thompson’s “The Monkey House” (Omenana #2), dystopian horror, is a story about what it means to be trapped inside a system, and the horrors one must overlook to be a part of that system; what happens when the ability to ignore horrors both natural and fantastical is seized from you and you alone? The protagonist is an unreliable narrator — or is he far more reliable as a narrator than the characters that surround him? — and holds a banal job as a paper-pusher with an insidiously creepy company whose purpose is obscured. This dystopia is set not in the future but in the eighties and follows the Orwellian tradition while being rather Kafkaesque, but adds enough facets, from dark fantasy elements to the chronic illness of the protagonist, to create something entirely new.
Thoughts on the Hugo Nominated Short Stories by Adam Callaway
(Edit: this post was actually written by Adam Callaway. I forgot that WordPress would use my ID to indicate the author if I was the one who created it. Sorry for any confusion.) I am both pleasantly surprised and just a little disappointed with this year’s batch of nominees. There were no short stories I found to be of poor quality. In my opinion, there was one mediocre story, two good ones, and one very good one. I wish there had been a full ballot of short stories to read through. I also wish there had been more diversity in terms of theme and content. In the end, I feel like these are incredibly mature stories that show the changing face of speculative literature in the 21st century. In many ways, they share more in common with fiction published in the New Yorker than Amazing Stories. Instead of ray guns and magic swords, you have metafiction and magical realism. Regardless of the quality of these stories, this is a Good Thing for the future of the genre. But are these really the best stories genre produced last year? Hmm… Here are my brief thoughts on each of the nominees:
Book Review: Enchanted and Hero by Alethea Kontis
Monday’s child is fair of face, Tuesday’s child is full of grace, Wednesday’s child is full of woe, Thursday’s child has far to go, Friday’s child is loving and giving, Saturday’s child works hard for a living, But the child who is born on the Sabbath Day Is bonny and blithe and good and gay. This rhyme opens Enchanted, the first in a series of the tales of the Woodcutter sisters. When we first meet them, Sunday, the seventh daughter of a seventh daughter, is out in the Wood, writing stories in a journal. She meets an enchanted frog named Grumble, and the rest, as they say, is history. Alethea Kontis hooked me in quickly with the easy conversational tone of Sunday’s encounter with Grumble. The Princess and the Frog is a fine story,
Review: The Mad Scientist’s Daughter by Cassandra Clarke
“Cat, this is Finn. He’s going to be your tutor.” He looks and acts human, though he has no desire to be. He was programmed to assist his owners, and performs his duties to perfection. A billion-dollar construct, his primary task now is to tutor Cat. As she grows into a beautiful young woman, Finn is her guardian, her constant companion… and more. But when the government grants rights to the ever-increasing robot population, however, Finn struggles to find his place in the world. Following her acclaimed Young Adult debut for our sister imprint Strange Chemistry, The Assassin’s Curse, the very talented Cassandra Rose Clarke moves on to more adult themes, in a heartbreaking story of love, loss … and robots. It isn’t easy to define what makes us human. I’m not convinced that anyone, from Aristotle to Descartes, ever achieved a reasonable answer, nor has modern
140. New Pulp, Reviews, and Amazon w/ Tim Pratt and Adam Christopher (A Discussion)
http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode140NewPulpGoodreadsWTimPrattAndAdamChristopher/Sandf–Episode140–NewPulpGoodreadsWTimPrattAndAdamChristopher.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSPulp sensibilities, Amazonian acquisitions, and authorship, oh my! Authors Adam Christopher and Tim Pratt take a little time out of their evenings to talk to us about review etiquette for published authors, Amazon’s recent acquisition of Goodreads, their new books, and much more. We hope you enjoy the episode! Note: If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 140 — Download (MP3) Intro and Discussion (0:00 – 1:19:26) Tim’s Website Adam’s Website Tim’s Twitter Adam’s Twitter Paizo Publishing Angry Robot Books “Amazon buys Goodreads — and then goes totally hip” (Washington Post) “New pulp fictioneers are ready to rock’n’roll” (The Guardian) Check out their books. Tis good stuff! You can also support this podcast by signing up for a one month free trial at Audible. Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks! Thanks for listening. See you next week.
