Book Review: LOST FILMS, Edited by Max Booth III & Lori Michelle
Along with stories by Stephen King, cinematic horror is largely responsible for introducing the weird and terrifying to me and a generation or two of teens. For years my friends and I sought horror films both good and bad, and we heard that particular macabre whisper calling us to the most unhinged and obscure among them. The memorable ones have been those whose reputations have created anticipatory trepidation equal to the thrills of watching the movie itself. The cursed production history. The banned content of unfathomable realism. The haunted film. Horror built around such themes of its visual representation proves popular, from Apollinaire’s “A Good Film” to Suzuki’s Ringu or American Horror Story: Roanoke. Ironically, written explorations of horror in visual media have a stronger impact on me than the those relayed through a screen medium. An excellent recent example would be Marisha Pessl’s Night Film. The announcement of the Lost Films anthology from Perpetual Motion Machine Publishing therefore really excited me. Comprised of nineteen stories with an introduction by Max Booth III (co-editor with Lori Michelle), it is one of the strongest collections I’ve read, with several potential standout favorites for readers from both established and new authors.
