173. The Gate (1987) — A Torture Cinema “Adventure” (the Halloween Special)
http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode173TortureCinemaMeetsTheGate/SandF%20–%20Episode%20173%20–%20Torture%20Cinema%20Meets%20The%20Gate.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSBackyard demons, claymation creeps, and geodes, oh my! Shaun, Julia, and Paul return to form with a special Halloween-themed torturous review of The Gate. Needless to say, they had a bit of fun tearing this one apart! We hope you enjoy the episode! Note: If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 173 — Download (MP3) Show Notes The Gate (1987)(IMDB) You can also support this podcast by signing up for a one month free trial at Audible. Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks! Thanks for listening. See you next week.
Movie Review: Mama (2013)
One of the things I enjoy about horror is its connection with fairy tales. Anyone who has actually read Grimm’s Fairy Tales is aware of this association. It’s one of the reasons why Andrés Muschietti’s 2013 film, Mama, attracted me. The story has a mundane, if tragic start fed to the audience in the form of a car radio news story — a dramatic stock market downturn results in the suicides of several members of a prominent investment firm. The abandoned car is parked in front of a beautiful house and there is a gunshot. The camera pans closer and the next scene is of a little girl named Victoria dressed for school. Her one-year-old sister is in her crib nearby. Their father arrives. His clothing is speckled with blood. Victoria asks, as all Fairy Tale heroines do, all the right questions, but her father, who is insane with grief, brushes her questions aside. He collects the girls and drives off into the wilderness with them. The car wrecks in the snow and they end up in an abandoned cabin, which is, naturally, haunted. Their
The Disquieting Guest — Readerly, Writerly and Malevolent
In the last week or so, there have been interesting discussions about the pros and cons of “cozy” fiction by Justin Landon (here) and on Sam Sykes (here). Those exchanges made me think of Roland Barthes’ distinctions between the “readerly” and the “writerly” text. Said distinction is summarized here. According to Barthes in S/Z, the readerly text is one where the reader is passive, “plunged into a kind of idleness […], left with no more than the poor freedom either to accept or reject the text,” whereas the writerly text’s goal is “to make the reader no longer a consumer, but a producer of the text.” The writerly text places greater demands on the reader, forces an active engagement with the text. It is disruptive and destabilizes the reading experience. Barthes is unequivocal in seeing the readerly text as entirely retrograde. The distinctions are, furthermore, usually deployed in a way that would see “readerly” and “cozy” as nearly synonymous. I find, however, a certain use in doing some violence to Barthes’ project and using the terms in a more descriptive, rather than prescriptive fashion, at least in the context of the aforementioned discussions. One reason for my caution is that the usual schema of “readerly=easy to
This Katamari Feels Sexy and Halloweenish and Also Wrong
(That’s probably because you rolled up Sexy Halloween Stories!) A couple of weeks ago, we looked at Halloween costumes. I just can’t get enough Halloween stuff, though, so this week, we’re going to take a sweet, spicy, terrifying, and hilarious tour through some Sexy Halloween Stories. It turns out Sexy Halloween Stuff is not just reserved for costumes! LaShawn Wanak’s House on the Rock Halloween Adventure: Okay, so I put out a call for recommendations of awesome (or terrible!) Sexy Halloween Stories, and while I meant fiction, I didn’t actually say it, so one of my responses was a real life event of geektacular AWESOMENESS! LaShawn has a fabulous, two part
The Disquieting Guest: The Visceral and the Cerebral
The other day, I was exchanging a few thoughts with Shaun about film, the need to entertain, and the engagement of emotions versus the idea of a film that was a purely intellectual experience. This brought me to thinking about the same topic in relation to horror. Some years ago, I read an anthology of horror tales that was a success in that the stories were skillfully written, but a failure in that few, if any, worked at all as horror. The reason for this was (what seemed to me) a misplaced desire to “transcend” the field (a subject for another time), coupled with a form of self-referential storytelling that worked fine in and of itself but prevented the reader from engaging emotionally/suspending disbelief/what-have-you. Let me add here that I intend no disparagement to a more writerly (as opposed to readerly) style — each has its strengths and particular uses. However, what this
The Disquieting Guest: Sequels from Stony or Fertile Ground
I saw Insidious Chapter 2 last weekend. When discussing the film industry, and particularly the horror film industry, complaining about sequels is about as useful an endeavor as seeking to arrest the rotation of the earth. Given that Insidious was one of the most profitable movies of 2011, a follow-up wasn’t just inevitable, it was a command from God Almighty. According to Box Office Mojo, on a paltry $1.5 million budget, the film brought in a take (world-wide) of $97 million. For say, Iron Man 3 to have been similarly profitable, it would have had to make over $13 billion. So, of course, Chapter 2 has come along, and its more-generous-but-still-chump-change $5 million has already turned into over $70 million, and counting. Obviously, more is on the way. Almost as inevitable as its existence is the fact that Insidious Chapter 2 is a disappointment. While it has a few effectively chilling jump scares, and some nice
