The Intersection: Context, Honor, and the Strong Female Character™
I told myself I wouldn’t write this essay. I’m not a fan of publicly criticizing another writer’s work, particularly a living author’s work. I’ll never do that to anyone. It’s not cool, and it’s definitely not professional. However, there’s a distinction between criticizing a work in order to make yourself look bigger and genuinely criticizing a work because it’s a culturally significant piece requiring extensive deconstruction in order to examine its effect upon those who it is supposedly supporting. I’ve had this discussion with other authors who happen to be women—and well…it’s time, guys. I’ll add that if you’re a fan of the novels I’m about to discuss, no matter your gender, good for you. I’m happy you found something you enjoy. That’s what SF fandom is all about: finding the thing you love. I don’t disrespect fans for their fandom. Therefore, the following is not a personal attack. It doesn’t mean the author is a bad person, either. It doesn’t even mean that the series in question should never have gotten published.[1] Got it? Cool. [deep breath] Now, let’s do this.
