COMICS REVIEW: Everything gets worse and it’s beautiful – Monstress Volume 3
Welcome to the latest installment of my comics review column here at Skiffy & Fanty! Every month, I use this space to shine a spotlight on SF&F comics (print comics, graphic novels, and webcomics) that I believe deserve more attention from SF&F readers. This time out, I’m taking a look at a work that certainly isn’t exactly under everyone’s radar, but that most definitely deserves more attention, if only because of the eldritch abominations that’ll eat you alive if you don’t stay sharp — Marjorie Liu and Sana Takeda’s Monstress Volume Three. (This review contains spoilers!)
Book Review: A Demon in Silver by R. S. Ford
A Demon in Silver by R. S. Ford starts off the War of Archon series. The novel chronicles the return of magic to a medieval world where, a century ago, both the Gods and their magic disappeared, suddenly, without warning. Locking away the Gods, and Magic, for a century has not done the world that many favors. Things have progressed on, petty nobles squabble, raiders raid, violent sects in the desert fight against each other. The world has not truly changed in their absence, not at the fundamental level.
Mining the Genre Asteroid: The Morgaine cycle of novels by C.J. Cherryh
Imagine a universe where a set of Stargates connect distant worlds. Many of these worlds have a low level of technology, and often fear and distrust those who come through the Stargates. The secret of making the Stargates, and who and why they made them, is only distantly known. Now imagine an expedition of individuals going through the various Stargates, seeing the various worlds that they connect. Meeting the human and not quite so human races to be found on these worlds. So far, you should be thinking of Stargate, the movie and its sequel series Stargate SG-1, Stargate: Atlantis and Stargate: Universe. Now imagine that it was determined that the Gates had destroyed a galactic civilization, and could still change and wipe out worlds and polities with a careless bit of travel. And so this expedition’s mission isn’t just to explore the Stargate network — but to destroy it, one gate at a time. The science fantasy Morgaine novels, by C.J. Cherryh, explore the quest of the last member of an expedition to do just that.
176. Sam Sykes at Worldcon (An Interview of Sorts)
http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode176SamSykesAtWorldcon/SandF%20–%20Episode%20176%20–%20Sam%20Sykes%20at%20Worldcon.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSGrimmy darky, monstrous spiders, and sexy Chewbaccas, oh my! Sam Sykes joins Shaun and Jen at Worldcon to talk about the rigidity of fantasy, grimdark, bucking trends, conventions, his work, and much more! We hope you enjoy the episode! Note: If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 176 — Download (MP3) Show Notes Sam’s Website Sam’s Twitter You can also support this podcast by signing up for a one month free trial at Audible. Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks! Thanks for listening. See you next week.
Out-Brutalling the Last Guy: “Grim and gritty, yes … but make sure it’s doing some honest work” by K.V. Johansen
I’ve written some reasonably grim stuff. The hero of Blackdog does tend to go for the throat on the battlefield and the assassin hero in my forthcoming series, Marakand, has a past that is decidedly Not Nice (his present just gets worse). Violence, horror, fear, pain, death — these are all part of epic fantasy, which almost by definition is going to deal with war at some point along the way and will certainly throw its characters into nasty situations, both as active doers of deeds and as suffering victims. Sometimes detailed physical description is what you need to do what the story needs done. Sometimes it isn’t. When it is, the detailed physical description alone shouldn’t be the point of the exercise. I was talking about this just last night with the Spouse, and then, while procrastinating on Twitter this morning, I wandered into a conversation with Juliet E. McKenna and Tom Lloyd that touched on the same ideas. This led me to wonder if, as we see the increased brutality inflicted in books praised as some kind of standard that is supposed to be achieved, we fantasy writers don’t sometimes get the feeling that we’d
