178. Emma Newman (a.k.a. Tea & Cake) — The Split Worlds Trilogy
http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode178AnInterviewWEmmaNewman/SandF%20–%20Episode%20178%20–%20An%20Interview%20w%20Emma%20Newman.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSEmpires, the Fae, and cake, oh my! Emma Newman, author of The Split Worlds Trilogy, joins Paul and Shaun to discuss her novels, the mentality of empires, feminism in her work, history, and much more. We hope you enjoy the episode! Note: If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 178 — Download (MP3) Show Notes: Emma’s Website Emma’s Twitter Emma’s Books Tea & Jeopardy Angry Robot Books You can also support this podcast by signing up for a one month free trial at Audible. Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks! Thanks for listening. See you next week.
The Disquieting Guest — Horror in/and Fantasy
A few weeks back, Shaun quipped to me that horror is “fantasy with scary bits.” Even further back, a discussion went around on Twitter as to whether horror and epic or high fantasy could coexist. A few remarks this week (which I will get to in due course) had me thinking about this issue again. As I’ve argued previously, horror is too polymorphous to be considered a genre — any attempt to define it as such winds up with exclusions and inclusions so remarkable as to invalidate the definition. For example: an insistence that there must be an element of the supernatural excludes the likes of Psycho, The Silence of the Lambs, The Texas Chainsaw Massacre, and so on. On the other hand, horror’s symbiotic/parasitic nature allows it
Worldbuilding: Why It Ain’t So Easy
So, I appeared at an event at the San Marcos Library on Sunday where I’d been asked to give a talk about research. During the question and answer section, someone asked me why I would go to all the trouble of setting a fantasy in the real world? “Why do that when you can just make stuff up? That’s easier, after all. It’s a short cut!” Yeah. Um. Not so much. First, writing isn’t easy, nor is making up stuff. Worldbuilding is hard work — very difficult, detailed work. If you’re not thinking about the worldbuilding aspects of your story that much, then what you’re doing is probably derivative, and that’s not good. It’s far easier to work with environments with which the reader is already familiar than it is to make up a foreign world and make it plausible. There are certain cues
177. Nick Mamatas — Love is the Law (An Interview)
http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode177NickMamatas/SandF%20–%20Episode%20177%20–%20Nick%20Mamatas.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSPunk, the occult, and punchy literature, oh my! Nick Mamatas returns for a proper interview! Stina and Shaun tackle the politics of his work, the world of crime fiction and that dirty word, “genre,” and much more. We hope you enjoy the episode! Note: If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 177 — Download (MP3) Show Notes: Nick’s Website Haikasoru You can also support this podcast by signing up for a one month free trial at Audible. Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks! Thanks for listening. See you next week.
MINING THE GENRE ASTEROID: Where Late the Sweet Birds Sang by Kate Wilhelm
“What is right for the community is right even unto death for the individual. There is no individual, there is only the community.” In the Shenandoah Valley of Virginia, in isolated Appalachia, a powerful extended family is determined to survive. Crop failure. Climate change. Ecological and environmental collapse. Pandemic, social upheaval and worse. All of this threatens the end of humanity, and indeed of most animal species in the bargain.This community builds itself a safehold to survive the turbulence and save a remnant of humanity in the bargain. When it turns out the pandemics have left everyone in the extended family infertile, the only solution that presents itself to save humanity is to clone the members of the extended family (and their local livestock as well). The clones can carry humanity ahead a generation or three, and then the ordinary course of marriage and mating can resume the community’s usual social structures. However, once born, the clones have their own
Geekomancer Under Glass: Beyond the Capes (Part Two)
Hello! This is S&F’s own Geekomancer, Mike Underwood, back again to talk about more comics outside the supers genre. Today, I’m going to talk about one classic and a couple of more recent up-and-coming comics. Hinterkind One of the new offerings from Vertigo following the departure of long-time executive editor Karen Berger, Hinterkind (Writer: Ian Edginton, Artist: Franceso Trifogli) is pitched as The Inverse Fables. In this world, Faerie creatures have returned and overthrown humanity, who now live in small enclaves hidden away, like Angus and Prosper’s group, which has ironically holed up in Central Park. When their closest human neighbors in Albany
