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Book Review: SHE’S A KILLER by Kirsten McDougall

Cover of She's a Killer, by Kirsten McDougall, featuring a pineapple against a black background with a pink border.

“In She’s a Killer, Kirsten McDougall writes a near-future dystopia that does explore these layers of colonization and control, but the core of the novel rests on the personality/psychology of her protagonist and an overall satirical tone that balances the comedic and the disturbing.”

Book Review: Wheel of the Infinite, by Martha Wells

Cover of Wheel of the Infinite by Martha Wells, featuring a sand painting in a temple.

I urge readers who only know Wells for her wonderful Murderbot science fiction novels to give Wheel of the Infinite a try. It features Maskelle, a middle-aged, self-exiled priestess returning to the capital of the Celestial Empire for her Koshan religion’s most important rite.

Book Review: Someone You Can Build a Nest In, by John Wiswell

Cover of Someone You Can Build a Nest In, by John Wiswell, featuring a plump woman holding a lantern next to a fire, against the silhouette of a tall cloaked figure wearing a witch's hat, with tentacles, chains, and other things against a red background.

You see, the protagonist/narrator is a shapeshifting monster who keeps rebuilding her body from the remnants of defeated enemies, but a lot of the people she deals with are monstrous in their own ways. … and when she meets a uniquely likeable and caring woman, Homily, and tries to help her and communicate with her instead of just eating her, readers like me end up cheering for both of them.

Book Review: Inheritance of Scars, by Crystal Seitz

Cover of Inheritance of Scars, by Crystal Seitz; features a young woman with braided blond hair, blood smears on her face and palm, holding a knife as she moves through a tangled forest.

The word-pictures she paints of Astrid’s childhood memories and the forest journey are immersive, the creatures encountered along the way are creepily described and often quite chilling, and conversations feel convincing.   

Book Review: The Naming Song, by Jedediah Berry

Cover of The Naming Song, by Jedediah Berry

The Naming Song by Jedediah Berry is an intriguing, engaging journey of enigmas, as much of this world has been an enigma to its inhabitants. Some kind of cataclysmic trauma has struck the world with collective amnesia, or transformed it beyond recognition, so that the words for all things have been lost. Now, diviners of the Names committee dream up words for people, objects, activities, and other concepts, and couriers deliver these Names; in so doing, they define and solidify the Named.   The Named find it difficult to clearly perceive the nameless and their ways. So the only courier who is nameless, who is the protagonist of this book, is unique, merely tolerated for her utility under the protection of Book, the chair of the names committee. She rides the Number 12 train and delivers words to people in towns along the route. “She delivered stowaway. … The watchers were happy to have a word for those people. Easier to catch them that way.” There are also Sayers who say the laws that the Named must follow, and there is a Deletion Committee who decide when words are no longer appropriate, and must be unnamed; this includes Names of people, who are never seen again after that. Not all welcome this shaping of the world through defining it with names. The nameless, including people and monsters, have been attacking the Named – or is it the other way around? War is brewing. Meanwhile, the unnamed courier is lonely, missing her long-absent sister, Ticket, so she finds companionship with a patchwork ghost who draws and keeps records, with a small, furry beast who drops in on her occasionally, and with her lover, the diviner Beryl. But some time after she is attacked by a group of masked nameless people, and barely makes it back to the train, she is joined by a new companion: a monster who resembles her sister. The courier herself is put under investigation and flees. She and some of her companions join the Black Square Show, a traveling troupe of players who reenact the stories of how the world was made, and she keeps getting into trouble and finding out things. Eventually, that war that has been brewing comes to a head, and she has to choose sides. I loved this book. It’s very much its own thing, but it reminded me of some great books I’ve read (see below). The third-person prose is fairly simple and direct, even when describing the nebulous, but it expresses complex concepts well, as the courier begins to understand more and more of the world, its history, and the forces that move it. This helps make the courier very easy to empathize with in her questionings and evolution. I really enjoyed following the courier’s journey in this book, both physical and mental, through mysteries, through self-knowledge and growth, and through understanding of her world. It has interesting ideas, and it’s a really good read with a very satisfying conclusion. The Naming Song will be released Tuesday, Sept. 24, and can be preordered here. Content warnings: Violence, death, oppression, memories of childhood trauma. Also, there are some fairly horrific concepts in this book, such as calibration, what’s done to ghosts so that they become obedient servants, and even worse things that are done to ghosts and monsters. But it’s not a horror novel; it’s an adventure of travel and mysteries.  Comps:Wheel of the Infinite, by Martha Wells: the traveling troupe, the puppet, and the regular redrawing and renewal of the worldA Wizard of Earthsea, by Ursula K. LeGuin: having power over someone or something by knowing its true nameNinefox Gambit, by Yoon Ha Lee: Calendrical redefinitions of reality Disclaimer: I received a free eARC of this novel from the publisher via NetGalley.