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Death of the Author: A Novel, by Nnedi Okorafor

Cover of Death of the Author: A Novel, by Nnedi Okorafor, featuring a mostly silhouetted dark-skinned woman whose hair is in locs, against an abstract red, green, and blue pattern (rivers? blood? computer chips?).

I love the vivid characters in it, the way they face their challenges, the fiercely exuberant explorations of personhood and choice and negotiating relationships, and the sheer joy of life apparent in how Okorafor plays with ideas.

Book Review: We Lived on the Horizon, by Erika Swyler

Cover of We Lived on the Horizon, by Erika Swyler, featuring sand dunes and a purple sky, with a blue inset saying "A Novel".

An artisanal bio-prosthetist and her personal house AI become aware of growing data gaps in a post-cataclysmic city run by an artificial intelligence system, precipitated by the murder of an acquaintance and the subsequent erasure of facts about the victim and his death.

Book Review: SHE’S A KILLER by Kirsten McDougall

Cover of She's a Killer, by Kirsten McDougall, featuring a pineapple against a black background with a pink border.

“In She’s a Killer, Kirsten McDougall writes a near-future dystopia that does explore these layers of colonization and control, but the core of the novel rests on the personality/psychology of her protagonist and an overall satirical tone that balances the comedic and the disturbing.”

Book Review: Wheel of the Infinite, by Martha Wells

Cover of Wheel of the Infinite by Martha Wells, featuring a sand painting in a temple.

I urge readers who only know Wells for her wonderful Murderbot science fiction novels to give Wheel of the Infinite a try. It features Maskelle, a middle-aged, self-exiled priestess returning to the capital of the Celestial Empire for her Koshan religion’s most important rite.

Book Review: Someone You Can Build a Nest In, by John Wiswell

Cover of Someone You Can Build a Nest In, by John Wiswell, featuring a plump woman holding a lantern next to a fire, against the silhouette of a tall cloaked figure wearing a witch's hat, with tentacles, chains, and other things against a red background.

You see, the protagonist/narrator is a shapeshifting monster who keeps rebuilding her body from the remnants of defeated enemies, but a lot of the people she deals with are monstrous in their own ways. … and when she meets a uniquely likeable and caring woman, Homily, and tries to help her and communicate with her instead of just eating her, readers like me end up cheering for both of them.