Episode 6. Into the Wardrobe with The Secret of NIMH (1982; dir. Don Bluth): Dark Animated Wonder and the Motherhood of the Muddy Cinderblocks
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEp6IntoTheWardrobeSecretOfNIMH/SandF–Ep6–Into_the_Wardrobe–Secret_of_NIMH.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSIn this episode of Into the Wardrobe, Shaun Duke and Jen Zink talk about the dark and somewhat terrifying — but also whimsical and often hilarious — first major production of Don Bluth films, The Secret of NIMH, released in 1982 and based on Robert C. O’Brien’s book, Mrs. Frisby and the Rats of NIMH. Our intrepid duo discuss the film’s garage-style production, the history of Don Bluth Productions and his love of classical animation, the film’s tone and artistic style, the role of motherhood in the narrative, and so much more. Plus, they tackle the standards: their personal relationship to the film (childhood, y’all) and what impact the film might have on audiences today! They seriously couldn’t shut up about this movie because it is just that good. We hope you enjoy the episode!
Signal Boost #53 — Tracy Barnett (Iron Edda TTRPG) and Evan Winter (Rage of Dragons)
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFSignalBoost53BarnettAndWinter/SandF–Signal_Boost_53–Barnett_and_Winter.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSS In today’s episode of Signal Boost, Jen Zink interviews Tracy Barnett, podcaster, writer, and TTRPG designer, about their work as a TTRPG designer, from their first game, School Daze, to their most recent (as of the recording of the podcast, which we must apologize for posting 2 months later than expected) big project, Iron Edda! Jen finds out all sorts of interesting things about TTRPGs, from how the independent TTRPG design community has exploded, how new TTRPGs are redefining what a game is, to the themes that Tracy likes to explore in their own games, and more. This is a treasure trove of information so have a listen! Then Jen talks to Evan Winter, self-published turned traditionally published, author of the debut epic fantasy novel, Rage of Dragons! They discuss why Evan originally decided to self-publish Rage of Dragons and how that eventually brought The Burning series to Orbit, including new edits to the originally published manuscript, how his time as a Music Video Director helps Evan plot both the larger plot of his books and individual scenes, some of the influences for the book, including his childhood memories of Africa, the magic system of Rage of Dragons, and more!! We hope you enjoy the episode!
Book Review: A SECRET GUIDE TO FIGHTING ELDER GODS edited by Jennifer Brozek
The return of the Lovecraft mythos to fiction and popular culture has been a burgeoning tendency in modern day fiction and culture. From Charles Stross’ Laundry Files to plush Cthulhus, the idea of the Mythos is more well known in popular culture than ever. There has also been a surge and rise in the popularity of YA as a subgenre, with teenagers and young adults navigating some rather perilous territory. It makes sense to me that the perilous territory that YA protagonists face might include encounters with Deep Ones, the Dreamlands, Ghouls, and the other terrors inherent in the Mythos. In addition, many of the stories in Lovecraft’s oeuvre are centered around familial concerns — learning one’s heritage, coming to terms with it, rejecting it, or even being possessed by it. Of course, such family dramas can underpin many YA stories, too. Thus, in A Secret Guide to Fighting Elder Gods, editor Jennifer Brozek marries these two concepts with a selection of stories from a wide range of authors. Like any anthology, the quality and interest of an individual story and author varies for me. Some of the stories stood out for me and showed the promise and possibilities of the form. Overall, I found that the authors and the stories embraced and lived up to the challenge of introducing YA protagonists and themes into the Mythos. The Mythos, upon reflection and after reading these stories, seems to me now like a natural sub-subgenre of fantasy for YA writers to consider.
At the Movies #76: Unicorn Store (2017)
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFAtTheMovies76UnicornStore/SandF–At_the_Movies_76–Unicorn_Store.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSCrazy paint, unicorns, and post-graduation life, oh my! Alex, Stina, and Trang join forces to take a look at Brie Larson’s feature length directorial debut, Unicorn Store (2017)! Together, they discuss the deep metaphors of the film’s central concept, the way it elicits strong personal reactions that make us think about our own lives, the performances, and so much more. We hope you enjoy the episode!
Book Review: THE RAVEN TOWER by Ann Leckie
Ann Leckie is best known for her space opera work in The Ancillary series, a series that uses a first person point of view, pronouns, scope, and perspective to give a fresh and literary spin on that subgenre. I’ve highly enjoyed Leckie’s work in this arena and was excited to discover that she has an interest in writing fantasy as well. In her new novel, The Raven Tower, a second person point of view and experimentation with narrative and protagonists support an interesting turn for the author into fantasy novels. In a world very similar to our own — save that there are Gods — conflicts between city states and other polities run very much like they did in our Earth during the bronze age. Rulers strive for temporal supremacy over important resources and locations alike. Having the favor of a God or two is the “killer app” of warfare and conflict on this world, but when both sides have powerful Gods on their sides, conflicts become more subtle, more complex, and longer lasting. A key strait and a pair of cities on either side provide a venue for men and Gods to war against each other. And the Strength and the Patience of the Hill, a humble God from the far north, watches and patiently waits, even as They (for that is the God’s preferred pronoun) are inevitably drawn into the conflict. It is the God’s story, as refracted into the human protagonist Eolo who provides much of that action that is the heart of Ann Leckie’s story in The Raven Tower.
Torture Cinema #90: Kull the Conqueror (1997)
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFTortureCinema90KullTheConqueror/SandF–Torture_Cinema_90–Kull_the_Conqueror.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSApe men, nicked bits, and shirtless Sorbo, oh my! Shaun, Stephen, and Daniel join forces to fulfill their dudetastic Torture Cinema destiny by discussing 1997’s Kull the Conqueror (starring Hercules). They discuss the history behind the film, why it fails miserably at just about everything (action, romance, adventure, carefully crafted plots), and what it’s like to contemplate Kevin Sorbo’s bedroom abilities. We’re sorry about this one, folks, but our Patreon supports picked it, and we are bound by honor and blood to fulfill our sacred duties. Join us for this special dudetastic discussion of one of the most horrifically awful action movies of all time! We hope you enjoy the episode!
