Book Review: THE RAVEN TOWER by Ann Leckie
Ann Leckie is best known for her space opera work in The Ancillary series, a series that uses a first person point of view, pronouns, scope, and perspective to give a fresh and literary spin on that subgenre. I’ve highly enjoyed Leckie’s work in this arena and was excited to discover that she has an interest in writing fantasy as well. In her new novel, The Raven Tower, a second person point of view and experimentation with narrative and protagonists support an interesting turn for the author into fantasy novels. In a world very similar to our own — save that there are Gods — conflicts between city states and other polities run very much like they did in our Earth during the bronze age. Rulers strive for temporal supremacy over important resources and locations alike. Having the favor of a God or two is the “killer app” of warfare and conflict on this world, but when both sides have powerful Gods on their sides, conflicts become more subtle, more complex, and longer lasting. A key strait and a pair of cities on either side provide a venue for men and Gods to war against each other. And the Strength and the Patience of the Hill, a humble God from the far north, watches and patiently waits, even as They (for that is the God’s preferred pronoun) are inevitably drawn into the conflict. It is the God’s story, as refracted into the human protagonist Eolo who provides much of that action that is the heart of Ann Leckie’s story in The Raven Tower.
Torture Cinema #90: Kull the Conqueror (1997)
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFTortureCinema90KullTheConqueror/SandF–Torture_Cinema_90–Kull_the_Conqueror.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSApe men, nicked bits, and shirtless Sorbo, oh my! Shaun, Stephen, and Daniel join forces to fulfill their dudetastic Torture Cinema destiny by discussing 1997’s Kull the Conqueror (starring Hercules). They discuss the history behind the film, why it fails miserably at just about everything (action, romance, adventure, carefully crafted plots), and what it’s like to contemplate Kevin Sorbo’s bedroom abilities. We’re sorry about this one, folks, but our Patreon supports picked it, and we are bound by honor and blood to fulfill our sacred duties. Join us for this special dudetastic discussion of one of the most horrifically awful action movies of all time! We hope you enjoy the episode!
Short Fiction Review: April 2019
My favorite stories often revolve around similar themes: justice, community, gender, and religion. In April 2019, the dominant themes in my favorite stories were gender and justice (or lack thereof), two important topics that intersect our lives in countless ways. These stories include “In That Place She Grows a Garden” by Del Sandeen in FIYAH Literary Magazine; “A Conch-Shell’s Notes” by Shweta Adhyam in Lightspeed Magazine; and “Vīs Dēlendī” by Marie Brennan in Uncanny Magazine. I found these stories emotionally and intellectually engaging, and they asked me to approach the themes of gender and justice from a variety of perspectives.
360. Ann Leckie (a.k.a. Singularitrix) — The Raven Tower (An Interview)
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode360AnnLeckieTheRavenTower/SandF–Episode360–Ann_Leckie_TheRavenTower.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSShakespeare, geology, and sacrifices, oh my! In today’s interview, Jen and Paul are joined by Ann Leckie, award winning author of the Ancillary Series, to talk about her debut fantasy novel, The Raven Tower. They start with what books inspired the plot and unique characters of the novel, move into the narrative techniques Ann used and how those allowed her to… perhaps withhold some information from the reader, why she enjoys language and the ways that it has power, transgender representation, the female characters of Hamlet and, as usual, much, much more! We hope you enjoy the episode!
Book Review: CATCHING TELLER CROW by Ambelin and Ezekiel Kwaymullina
The Aurealis Awards are Australia’s premier juried award for speculative fiction and were presented today in Melbourne. I had the privilege and delight of being part of the jury for the Best Young Adult Novel category. That particular award went to Catching Teller Crow by Ambelin and Ezekiel Kwaymullina. I wanted to share a bit about this fantastic book, but please note the opinions here are my own and do not reflect the rest of the jury or the Aurealis Awards at large. Catching Teller Crow follows Beth Teller, who died in a tragic accident several months ago. Since then, she has been helping her father, a police investigator who is struggling to cope with his grief. His boss has sent him to a rural Australian town to oversee a case in which a children’s home burned down, claiming one adult victim. It should be a straight-forward job, something easy to facilitate a return to work for Michael Teller after his bereavement. But of course it’s not, as the Tellers discover when they begin interviewing Isobel Catching, a teenage witness.
Mining the Genre Asteroid: Rocannon’s World
When I say the words “Ursula K Le Guin and her work,” your first thought is probably either Earthsea or The Left Hand of Darkness or The Dispossessed. Or maybe you think of “The Ones Who Walk Away From Omelas”. LeGuin’s oeuvre, however, is far more than those works. Even within the Hainish verse, there is a host of other in-universe work that Le Guin has written — work that doesn’t get as much attention or play today as The Left Hand of Darkness, the Hainish Cycle’s shining star. The point of this ongoing column is to tell you why works such as this are worth your reading time and attention. Today. In our contemporary moment. And so, in today’s Mining the Genre Asteroid, I’d like to discuss Le Guin’s first published novel, Rocannon’s World.
