LitBits: The Politics of Author/Work Separation
I’ve been thinking about this problem a lot recently, firstly for some obvious reasons (a certain movie) and secondly because of some of the things I’ve been discussing with my students in my American Literature course. And one of the questions that keeps coming up for me is this: how do we know when we have crossed the line by holding a writer accountable for the controversial things they write? As an example, I am currently teaching Lois-Ann Yamanaka’s Wild Meat and Bully Burgers. This particular novel is not all that controversial, though it certainly has its issues, but her later book, Blu’s Hanging, was the cause of much controversy in 1997/1998. The Asian American Studies National Book Award she received was later annulled after public outcry; many critics and academics have written about the incident since.[1] One of the problems Asian American (and other) critics had with the book was its representation of Filipinos in Hawai’i (they are dirty, morally questionable, violent, and/or pedophiles) and the complete absence of indigenous Hawaiians in the novel. Effectively, critics charged Yamanaka with failing to self-censor herself in a stereotypical context; in
162. Worldcon Walk-by Session #1: Keffy Kehrli, Rachael Acks, Michael J. Martinez, Karen Burnham, & Kyell Gold
http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode162WorldconWalkbySession1/SandF%20–%20Episode%20162%20–%20Worldcon%20Walkby%20Session%20%231.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSWSFS, geekery, and Worldcon ninjas, oh my! In our first ever Worldcon walk-by recording session, a whole host of wonderful folks came by to talk to us about the WSFS meetings, our perceptions of Worldcon (the first days), movie remakes, SF nostalgia, and much more. Thanks for everyone who dropped by! You all rocked! We hope you enjoy the episode! Note: If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 162 — Download (MP3) Intro and Discussion (0:00 – 54:59) Rachael Acks’ Page Rachael’s posts on the WSFS meetings can be found here. Rachael Acks’ Twitter Karen Burnham’s Page Karen Burnham’s Twitter SF Crossing the Gulf Keffy Kehrli’s Page Keffy Kehrli’s Twitter Kyell Gold’s Page Kyell Gold’s Twitter Michael J. Martinez’ Page Michael J. Martinez’ Twitter Supernatural (IMDB) Buffy (IMDB) Eerie, Indiana (IMDB) Carrie (2013) (IMDB) John Kessel’s Essay on Ender’s Game Ender’s Game (Wiki) You can also support this podcast by signing up for a one month free trial at Audible. Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks! Thanks for listening. See you next week.
Question of the Week: Which science fiction novel would you start middle school kids on and why?
Since our latest episode is a little on the dark side, we thought it would be a good idea to have a happier question for you all to think about. We’ve also brought in a friend to sweeten the deal: Shaun The hard thing about choosing books for middle school kids is that a great deal of books for their age group that are fantastic in nature are actually fantasies, rather than science fiction. There isn’t enough science fiction written explicitly for their age group, let alone for the two groups around them (children’s lit and young adult). If we were talking high school, the doors would be wide open for all kinds of stuff, from John Scalzi’s Old Man’s War to Tobias Buckell’s Xenowealth novels (Crystal Rain, Ragamuffin, and Sly Mongoose). But because this group is a young group, content is a big issue. I have no doubt that they can handle more adult material than we’d like to think, but they are still younglings. With that in mind, I would have to pick The Hitchhiker’s Guide to the Galaxy by Douglas Adams. The novel may not be meant for middle school kids, but it’s hilarious, fun, and all kinds of weird. Whether they’ll get all the jokes is irrelevant, because the characters are funny enough on their own. The big question, of course, is whether Adams is a good gateway into the SF genre as a whole. I don’t think I can say… Jen Honestly. I have no idea! I started reading science fiction earlier than middle school, but I think the same books are appropriate. However, they’re a little outdated. To be honest, though I haven’t even read the series yet, I would start with The Hunger Games. I’ve always been of the opinion that to get a kid interested in something for the first time, you have to play to their interests. Not only is The Hunger Games a new series of books, it is also being made into a series of movies. Double win to a teenager (especially if that hot guy from Beastly and I Am Number Four is in it, then you’ll get every girl in America reading the series). I see no reason to throw them straight into the complexities of Ender’s Game or something by Heinlein. I started with Ray Bradbury and Madeleine L’Engle (although I was never a big L’Engle fan) and these are still great authors to begin a science fiction journey with, but to snag a kid so late in the game (yes, I’m calling middle school late) – appealling to them on a less “literary” level might be a good way to go. Patrick Hester Ender’s Game by Orson Scott Card. I think the story is accessible to kids because it’s about kids, their relationships and a lot of themes involved with growing up that they’ll relate to. Plus, the kids are the smartest people in the story (for the most part), which I think they’ll like too. So, what do you think would be a good SF book to start middle school kids on? Let us know in the comments!
