Signal Boost #24: Ian Muneshwar and Zin E. Rocklyn
http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFSignalBoost24IanMuneshwarAndZinE.Rocklyn/Sandf–SignalBoost24–IanMuneshwarAndZinE.Rocklyn.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSThis is the final episode of our month of focusing on horror writers, and it has been so much fun that we’ll be sure to do it again next year! Each of our guests had different reasons for why they write horror and how they use the conventions of horror to explore themes that are important and interesting to them, so make sure you listen to all of them! In today’s episode of Signal Boost, Jen talks to Ian Muneshwar, a queer writer of Indo-Guyanese descent, about how he uses his work to explore his cultural history of forced diaspora, how he works with language in his stories, and how his queer identity influences his writing. Then Zin E. Rocklyn, a writer of Trinidadian descent, talks to Jen about the childhood stories (CW: Gore) that inspired her love of horror, how she juxtaposes the sacred and the profane, and how important it was to her to be included alongside other black women in the horror anthology Sycorax’s Daughters. We hope you enjoy the episode! Note: If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below):
Tobias Buckell on the (New) Art of The Xenowealth Saga
In 2006, I came out with my first novel in the US, a somewhat hard-to-categorize (I’m told, I think it makes perfect sense, I wrote it after all) science fiction novel with Caribbean peoples settled on an alien world that have long since lost touch with their home world. That was Crystal Rain. I alternated between calling it Caribbean steampunk (a few years early, I think, for steampunk) and Caribbean SF. It had a cover I adored — created by the amazing Todd Lockwood, a well known fantasy artist who’s work is amazing. I have a print of the art framed on my wall: an airship above a verdant forest being chased by another distant ship. But when the novel came out, booksellers emailed me to say that the cover looked like the book was a fantasy, creating confusion among casual browsers. Core SF readers didn’t want to pick up the book. Fantasy readers put it down when they realized what it was.
