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Shaun’s Rambles 003: On Negative Reviews and Their Value

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/ia801504.us.archive.org/10/items/ShaunsRambles003OnNegativeReviewsAndTheirValue/ShaunsRambles003–OnNegativeReviewsAndTheirValue.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSS…in which I talk about things some people don’t want to write. In this edition:

Shaun’s Rambles 002: The Value of Book Reviews and Dark Orbit by Carolyn Ives Gilman

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/ia801505.us.archive.org/17/items/ShaunsRambles002TheValueOfBookReviewsAndDarkOrbit/ShaunsRambles002–TheValueOfBookReviewsAndDarkOrbit.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSS…in which I continue a podcast of random thoughts had while driving home from work. In this edition:

Book Review: A Quill Ladder by Jennifer Ellis (with an Interview)

For my May contribution to this year’s focus on female writers, I wanted to feature two young adult SciFi/Fantasy titles written by women authors whose work I enjoy and initially discovered by happenstance:  Jennifer Ellis and Frances Hardinge. Even if you don’t typically read YA, you certainly know some children or young adults who are looking for good reads in the genre, and both of these writers deserve plenty of appreciation. First up for this post is Jennifer Ellis. Ellis is an indie author from Canada who writes both middle-grade science fiction/fantasy novels and adult dystopic novels featuring elements of adventure, romance, and environmental themes. I discovered her work through a Goodreads giveaway listing for her adult novel In the Shadows of the Mosquito Constellation. It looked potentially interesting to me, but looking at her website and blog really sold me on taking the time to check out the novel. Though I didn’t win the giveaway, I was able to get an electronic version directly from her; immediately upon starting it, I was drawn in and impressed through the end.

Book Review: Wildalone by Krassi Zourkova

Talented pianist and bright student Thea Slavin leaves the familiar confines of family and her Bulgarian homeland for the opportunity of study at prestigious Princeton University in the United States. Compounding the normal cultural shocks of studying abroad in an unfamiliar land, Thea discovers that she has chosen to accept an opportunity from the same school her older sister attended years past, an era mired in family secrets. Thea learns that this sister mysteriously died while at Princeton, leaving a hole in her parent’s lives about which they refuse to speak. Braving the discomfort that the unfamiliarity of the Princeton campus brings with its upper class American culture and distant memories of the embarrassing unsolved crime involving the elder Slavin daughter, Thea turns full focus to her piano/music studies and the strange draw a course in Greek mythology and its professor holds for her. As she tries to settle into her new life and avoid associations with the past history of her sister with the campus, Thea is pushed rapidly into preparing for major recitals and the prospects of college romances.

Book Review: The Grace of Kings by Ken Liu

“A knife is not malicious merely because it is sharp, and a plot is not evil merely because it is effective. All depends on the wielder. The grace of kings is not the same as the morals governing individuals.” My expectations were high after learning about Ken Liu’s debut novel, and I wasn’t disappointed. The Grace of Kings is both spectacular and significant, an approach to epic fantasy that combines some of the best elements of the established genre with Liu’s unique sentiments and voice. I’ve been trying to avoid reviews before writing this up, but judging from the headlines, I’m not alone in excitement and appreciation.

Book Review: The Land Across by Gene Wolfe

Those even slightly familiar with Gene Wolfe’s prolific work may recognize its persistence in theme and style. Critics, colleagues, and readers in general praise his unique voice, which is often challenging to penetrate with its unconventionality, but usually end up making his stories hugely rewarding experiences. Despite the now conventional expectation of idiosyncrasy in Wolfe’s prose and plots, he somehow manages to keep stories inventively unpredictable and engrossing. Recently released in trade paperback format by Tor Books, Wolfe’s 2013 novel, The Land Across, is typical Wolfe: a young, possibly unreliable narrator, evocative descriptions, shifting plots that play with expectations, sophisticated incorporation of the political and religious, and beneath it all a perpetual sense of foreboding.