Guns, Stock, and Tael: Sword of the Bright Lady by M.C. Planck
Jared Diamond’s seminal work, Guns, Germs and Steel, posited that those three advantages are what allowed the Europeans to come out on top of the 15th century world and go on to dominate the globe in the next several centuries. European diseases decimated the New World, and European steel and guns gave them sway over Africa, Asia and the Americas. The reasons why Europe had those advantages and were able to leverage them is the heart of that book. The idea of introducing gunpowder to worlds that don’t have it is one that crops up now and again in genre. Gunpowder is an invention that is a game changer, and yet, it is not one that requires a lot of technology to manage. It’s really a historical accident that it was invented in China and only when it came to Europe became seriously used for warfare. With the technology and materials available to them, there is nothing that wouldn’t allow gunpowder to be used as far back as the Roman Empire or even earlier. The roleplaying game Fvlminata provides a RPG world where gunpowder was invented by Rome in the first century AD. The Island in the Sea of Time series by S.M. Stirling has the time-stranded Nantucketers introduce gunpowder to the late Bronze Age, with civilizations everywhere wanting a piece of that action — and being able to use it, however primitively.
Book Review: Black and Brown Planets: The Politics of Race in Science Fiction edited by Isiah Lavender III
In his introduction to this collection of essays, Isiah Lavender III explains that Black and Brown Planets continues a conversation started in the science fiction community with Elisabeth Leonard’s 1997 anthology, Into Darkness Peering: Race and Color in the Fantastic. The cultural and literary criticism found here in looking at works of the recent past become particularly significant as we comprehend a future where, as Lavender III puts it, “the Western world ceases to be dominated by the white majority”: SF has charted a few of the alternatives for this unknown territory, and the change presents both opportunities and challenges for society to establish new values. In short, skin color matters in our visions of the future…[To] transcend various repetitions of the color line – black, red, and brown – we must be conscious of these repetitions.
Custom Houses and Magical Secrets: The Cipher by Diana Pharaoh Francis
Port cities are nothing new in fantasy. In point of fact, port cities are one of the archetypal types of places you will find on a Diana Wynne Jones-esque tour of a fantasy world. Port cities are where cultures meet, where ships from near and far provide opportunities for escape and travel and for the unknown to come to the characters. Anything might be found lurking at the docks, or anyone might be sitting in the dark corner of a wharfside tavern. The markets can have anything for sale, providing further roads to adventure. Port cities might hold wonderful potential for story, but that perspective is usually from an outsider, or a lower class perspective. The fantasy hero reaching the port after a trip overland. The street-rat who has always haunted the dockside haunts, scraping a living. The pirate who enters a hive of scum and villainy looking for more men for her ship, or to sell off the booty from her last score. You don’t normally have as your hero a government bureaucrat. Like, say…a customs inspector.
Book Review: The Year’s Best Science Fiction and Fantasy 2014 edited by Rich Horton
My diverse reading (which extends well beyond SF/F) makes it unfeasible for me to catch everything of interest or of merit. I, thus, appreciate the multiple anthologies each year that offer their unique selections of noteworthy short stories. This marks the sixth year of Horton’s relatively young Year’s Best Science Fiction and Fantasy series, but it happens to be the first one that I’ve read. It will be hard to fit in past years to catch up, but I’m going to strive to make it part of the future annual reading queue. The extensive breadth and diversity of this collection strikes me foremost. The sources for the stories include a balance of major print and online magazines to smaller outlets and stand-alone publications, and the stories themselves extend through the many forms and combinations of science fiction and fantasy. A part of me wishes that literary outlets were also included in this mix, as genre elements are increasingly found within their pages. Yet another part of me recognizes that the literary world often ignores the genre, so the reverse is just as appropriate.
Book Review: Upgraded edited by Neil Clarke
As a rule, I loathe anthologies in which the stories are united by a narrow subgenre. A general editorial direction is something I appreciate, but I have had several experiences in which I was lured in only to throw the book across the room after two or three stories. “Self, what the hell were you thinking? Did you really want to read twenty some-odd stories in a row about the Lovecraftian mythos/sapient aliens/marketing gimmick du jour?” It is therefore a great testament to the quality of the stories in Upgraded, a 2014 anthology edited by Neil Clarke, that I actually finished it.
Book Review: Phantasm Japan edited by Nick Mamatas and Masumi Washington
Occasionally, I read something and don’t particularly want to review it so much as say, just read this. Or produce a review consisting of nothing but quotations from the text: let the evidence speak. Phantasm Japan, a 2014 anthology edited by Nick Mamatas and Masumi Washington, is such a book. Pardon me while I spend the next several hundred words embarrassingly fangirl-gushing about it. There are a few different ways to measure an anthology’s success. The one that is used most often is determining how many of the stories the reader liked versus how many they didn’t. While there’s nothing wrong with this as a metric, it’s not the primary one I use. My favorite anthologies shift my perception in some fundamental way, whether by some of the stories taken individually or by the aggregate body. Phantasm Japan does both. Considerably. Of course, producing a collection that’s bold and smart is not without risk; two or three of the more cerebral stories in this anthology sailed right over my head. There were several more that blew my mind in the best possible way.
