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Movie Review: The Congress

Movie poster for The Congress. Shows Robin Wright being scanned for her digital avatar.

The news of the Writer Author’s Guild going on strike, followed by the SAG-AFSTRA Strike, and the desire for studios to use so-called A.I. not only in scripts and writing, but, more crucially, to scan the images of background actors without their knowledge and consent, convinced me that I needed to rewatch this 2013 movie that has proven rather prescient.

740. Stina Leicht (a.k.a. Mrs. Irish Cream) — Loki’s Ring

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-740-stina-leicht/SandF_740_StinaLeicht.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSBizarre aliens, complicated families, and AI therapy, oh my! Shaun Duke is joined by longtime collaborator and repeat interviewee, Stina Leicht. Why? Because Stina has a new book called Loki’s Ring from Saga Press featuring artificial general intelligences, weird alien stuff, delightful familial relationships, and spaceships! Together, Shaun and Stina discuss the book’s hopeful perspective, the politics of future civilizations, and so much more! Thanks for listening. We hope you enjoy the episode!

732. S&F Clacks #1: Borders, Fixing Books, and AI Art, Oh My!

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-732-clacks-1/SandF_732_Clacks_1.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSBorder trouble, editing bad stuff out of books, and AI fiction run amok, oh my! Shaun Duke, Brandon O’Brien, Paul Weimer, and Trish Matson join forces for the 1st ever S&F Clacks, our brand new SF/F/H current events and listener questions live show! Together before a live audience on our Twitch channel, they discuss Oghenechovwe Donald Ekpeki’s recent visa struggles, the recent discussion about editing older works to remove offensive content, the wild world of AI-produced fiction, and much more. Thanks for listening. We hope you enjoy the episode!

A Book By Its Cover: Autonomous by Annalee Newitz

From Karel Čapek’s R.U.R. to Daniel H. Wilson’s Robopocalypse to Matt “Grim-Dark” Groening’s upcoming Futurama X-Treme, the standard script for science fiction featuring artificial intelligence (AI) has been machine rising up against humanity. This theme reached its artistic pinnacle in 1953 with the widely acclaimed masterpiece Robot Monster from noted auteur Phil Tucker, a cinematic disciple of Bresson and Ozu. The plot should be as obsolete as MS-DOS 4.0. Yet, authors and Hollywood writers all keep going back to the robot production factory for ideas. The fear inherent in this fiction has historically accompanied each technological development; with each increase in technology’s power and reach, so goes the fear. Recently, both Stephen Hawking and Elon Musk voiced concerns and warnings regarding AI. Yes, it is true that Hawking and Musk are both usually known for lunatic ramblings, but their warning here does seem logical and warranted.

My Superpower: Tansy Rayner Roberts

My Superpower is a regular guest column on the Skiffy and Fanty blog where authors and creators tell us about one weird skill, neat trick, highly specialized cybernetic upgrade, or other superpower they have, and how it helped (or hindered!) their creative process as they built their project. Today we welcome Tansy Rayner Roberts.   My superpower is making extra work for my publisher. When your publisher is one of your best friends, and you’re invested in her success almost as much as your own career, it’s a very different relationship than when they are a distant, shiny corporation in a big city somewhere in the world. I’ve had quite a few publishers over the last 19 years as a professional author, and I am very attached to many of them, but Twelfth Planet Press feels like my baby almost as much as it belongs to its publisher, Alisa Krasnostein. I’ve been there from the beginning; watched her projects and aesthetic evolve. I was there as the idea for ‘hey what about monthly collections by female authors’ developed into a massive, sprawling 4 year project.

The Intersection: AI and Creator-bias

Today’s post isn’t about science fiction exactly, but we’ll file it under “thoughts that inspire science fiction” and vice versa. Ask a professional scientist if observer bias exists, and they’ll say yes. Medical science alone has many examples of what happens when bias is ignored. It affects medical practice in dangerous ways. Until recently, drug testing was almost never conducted on women. The reasoning was that women have “hormone fluctuations,” and the male-dominated medical industry wanted a pure data-baseline. Society believes that male is default for human. So, the establishment assumed that whatever is safe for men is safe for women and never looked back. Of course, the failure in logic here is that if a drug’s effectiveness is adulterated enough by female hormone fluctuations that it alters the end data, how could they have missed that this also meant this interaction could change its efficacy on the patient? Or to put it another way: How could they possibly know whether or not the drugs were, in fact, safe for women if the drugs aren’t tested under conditions with shifting hormones — the very conditions under which the drug was being used? This isn’t the only example.[1] And medicine isn’t the only science to suffer because of unexamined bias. And here is where we begin our discussion of AI.