809. The Flintstones (1994) — Torture Cinema #151

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-809-the-flintstones/SandF_809_TheFlintstones.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSPig disposals, dirty feet, and yabba-dabba-doo, oh my! Shaun Duke, Julia Rios, and Daniel Haeusser join forces to discuss 1994’s The Flintstones! Together, they chat about the history of the original show, tackle the film’s nonsensical plot choices, discuss 1990s practical set design, and get grossed out by feet, plus much more! Thanks for listening. We hope you enjoy the episode!
Comics Review: The Order of the Circle

Elisabeth Mkheidze’s art is strong throughout. Characters are clearly delineated and distinct, and their emotional states are conveyed effectively through expression and body language. Some comics artists tend towards conveying intense expressions too strongly, and characters’ faces look like caricatures or theatrical masks as a result. This seems like a small point, but in a graphic novel with a protagonist who spends virtually all her time on the page some combination of furious, terrified, and grieving, it’s important.
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Glover’s prose doesn’t often soar to poetic heights, but it’s direct and practical and a breeze to read. There’s a lot going on in this 443-page book, but it doesn’t feel nearly that long; Glover keeps it all racing along together and lands the ending with a very satisfying touchdown.
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It’s an interesting work of alternate history in which a naive young girl has to grow up fast when she is abducted and installed in a foreign court as the intended bride of a warrior king. Ignorant at first, Òdòdó learns fast that kindness can conceal cruelty, and tenderness can be a distraction from tyranny; eventually, she learns how to make allies and take control of her own life, and more.
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