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Death of the Author: A Novel, by Nnedi Okorafor

Cover of Death of the Author: A Novel, by Nnedi Okorafor, featuring a mostly silhouetted dark-skinned woman whose hair is in locs, against an abstract red, green, and blue pattern (rivers? blood? computer chips?).

I love the vivid characters in it, the way they face their challenges, the fiercely exuberant explorations of personhood and choice and negotiating relationships, and the sheer joy of life apparent in how Okorafor plays with ideas.

On Karen Lord’s REDEMPTION Series

Where Redemption in Indigo reads folksy, and frequently comical, Unraveling turns more into the subgenre of dark urban fantasy, with shades of a mystery police procedural added into a shadowy mix. Lord constructs the story as a labyrinthine exploration across dreams and realities, beyond the normal (human) flows of time and space.

Shorty on Friday: Omenana

Omenana, a bimonthly speculative fiction magazine edited by Mazi Nwonwu and Chinelo Onwualu, includes short fiction, essays, and art by and about people from the African continent. Its debut issue appeared on November 30, and the stories within work very well together. Two are more traditional narratives, while two are more experimental; there are contemporary settings and futures near and far, nods to Nigeria’s literary legacy, and a love letter to Lagos. The essays are powerful and the art is lovely. The tl;dr of this column is that you should alter your weekend plans as necessary to read the first issue.