Book Review: CONVERGENCE PROBLEMS by Wole Talabi
“… (E)ven the most widely read out there will find something new here, and something of significance.”
Book Review: Son of the Storm/Warrior of the Wind, by Suyi Davies Okungbowa
The two books really feel like to me a study and critique of decaying imperial power, and what happens when that eroding power slips to the point where the imperium is visibly decaying, and starts to overcorrect and do truly shortsighted and ill-advised things in the quest to not only maintain the decaying status quo, but to reach back to a mythical golden era before that never really existed in the first place.
Book Review: Akata Warrior by Nnedi Okorafor
Keen fans of the Hugo Awards will be aware that 2018 marks the inaugural presentation of the World Science Fiction Society Award for Best Young Adult Book. The shortlist for this Hugo-adjacent award (which will, barring shenanigans at the AGM, henceforth be known as the Lodestar Award) includes Akata Warrior by Nnedi Okorafor. This is the second book in Okorafor’s series, Akata Witch. It tells the story of Sunny Nwazue, a teenage girl born in New York City whose Nigerian parents have brought her across the Atlantic to live in their hometown. Sunny is a Leopard Person, someone with an affinity for juju and thus able to work magic. In Akata Warrior, she develops these abilities under the strict guidance of her mentor Sugar Cream and the tried and true method of getting into mischief with her friends. However, it’s not all fun and games. Ekwensu, the masquerade responsible for murdering Sunny’s grandmother (and also the only other Leopard Person in Sunny’s family) is still on the loose. Sunny and her friends must track down the masquerade before Ekwensu brings about the apocalypse.
Book Review: Lagoon by Nnedi Okorafor
Lagos. It’s one of the most populous cities in the world and yet it is a city that is relatively mysterious to most Western audiences. Its geography, its nature, and even the languages spoken there (did you know the first language for many in Lagos is a Pidgin language and not English?) do not readily come to mind. But why would aliens, if they would come, necessarily park their ship above London, or crash into New York Harbor outside the U.N., or send troops into Los Angeles? Why wouldn’t they pick, instead, say, Lagos? What would a first contact be like if shapeshifting aliens who decided to come to stay on Earth for a while decided to skip the usual suspects and land in the lagoon outside the city of Lagos? Lagoon, by Nnedi Okorafor explores that exact first contact scenario.
Indy Genre: African Shorts
I get the sense that short films are often viewed as a way to develop skills and advertise those skills, or as a proof of concept for a feature-length film. I’m starting to see more and more short film available for general viewing on Youtube, Vimeo, and even Hulu as a way to reach audiences that don’t normally go to film festivals. Shorts, because they can be filmed much more quickly, also give filmmakers who have a very limited budget a chance to still tell an engaging story. Finding genre film from Africa is a challenge in the US. Other than District 9, I don’t think much has made it over here as of yet, and I don’t honestly know how much is actually made, (tough there is plenty of film being made in various African countries, particularly Nigeria! Just do a bit of googling about Nollywood if you don’t believe me. In terms of sheer number of films produced per anum, it’s right on Bollywood’s heels and ahead of Hollywood). Read on for a selection of African short films. On the strength of these, I hope we will see more feature length films from these countries over here soon!
Cultural Tourists (Part 1): Publishing and Representation
One of my goals is to read as diverse literature as possible — at least those by authors outside of the US and the UK (since these two are the major players in the global publishing industry). The unfortunate reality is this: I keep on failing. That’s not to say I don’t occasionally succeed; just the other day, I finished reading a local anthology — Maximum Volume: Best New Philippine Fiction 2014 (ed. Dean Francis Alfar & Angelo R. Lacuesta) — but that’s only because it’s a local publication and I’m friends with some of the contributors. The said anthology being a title published in the Philippines, it poses some challenges in terms of accessibility that authors/publishers from other countries might experience:
