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Retro Childhood Review: The Book of Three

“You fool!” he shouted. “You addlepated . . . What have you done? Now both of us are trapped! And you talk about sense! You haven’t . . .” Eilonwy smiled at him and waited until he ran out of breath. “Now,” she said, “if you’ve quite finished, let me explain something very simple to you. If there’s a tunnel, it has to go someplace. And wherever it goes, there’s a very good chance it will be better than where we are now.” In 1985, Disney released the film that would nearly signal its death knell, a movie which basically led to the creation of Don Bluth Productions (thank goodness), a movie which only made half as much as it cost and was altogether a disaster, but it was also a movie that sparked my imagination enough to find the source. That movie was The Black Cauldron. Tricked you. The Black Cauldron is book two of Lloyd Alexander’s epic children’s fantasy series, The Chronicles of Prydain. The Book of Three is the start of that journey.

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Retro Childhood Review: Fog Magic

“It’s the things you were born to that give you satisfaction in this world, Greta. Leastwise, that’s what I think. And maybe the fog’s one of them. Not happiness, mind! Satisfaction isn’t always happiness by a long sight; then again, it isn’t sorrow either. But the rocks and the spruces and the fogs or your own land are things that nourish you. You can always have them, no matter what else you find or what else you lose.” Portal fantasy is a popular genre for middle children’s fiction, as evidenced by the fact that 3 out of my 4 Retro Childhood Reviews are about children finding their way to new worlds. In The Neverending Story, Bastian is escaping a grief-filled reality; in Firebrat, Molly is learning to appreciate her Grandmother; the reasons for traveling through portals are as varied as the stories themselves. But portal fantasy, at its core, allows a child reader to travel to new worlds along with the protagonists. Fog Magic, by Julia L. Sauer, a Newberry Honor Book, is an absolutely charming addition to the genre. Though this is not a book that captures my heart to the level of some of the others on my shelves, it is nonetheless one that I turn to from time to time, to escape to the simplicity of an earlier age.

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Retro Childhood Review: Firebrat

“It will only be for a month, Molly.” “Why me?” she wailed, forgetting her vow of silence. “Why not Betty? She’s older.” “Because I think you’ll do a better job than Betty. You’re the reader in this family. The storyteller… Your grandma’s getting awfully forgetful, Molly. Ever since Grandpa died, she’s been living in the past — she tells the same stories over and over. She needs someone who’ll talk to her and help her organize the shop. You know — keep her in touch with the present.” Silence. “Molly, you’re the one who doesn’t mind a little mess.” He waved his hand at her room. “You’re the lover of mysteries.” “What’s the big mystery about taking care of Grandma?” “Making people well is always a mystery,” said her father sadly. I will forever be indebted to a family that both placed an importance on reading and not only understood how much I loved science fiction and fantasy, but encouraged it with gifts. For my eleventh birthday, my aunt and uncle sent me Firebrat, by Nancy Willard, with illustrations by David Wiesner. I don’t know how they decided on this particular book, but the whimsical cover of fish flying through a forest, showing a young girl and a young boy, with the girl in the lead probably had something to do with it. And where I have read and discarded a hundred other fantastical children’s books, Firebrat has kept its place firmly ensconced on every bookshelf that I have ever owned.

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Retro Childhood Review: The Last Unicorn

“I was born mortal, and I have been immortal for a long, foolish time, and one day I will be mortal again; so I know something that a unicorn cannot know. Whatever can die is beautiful — more beautiful than a unicorn, who lives forever, and who is the most beautiful creature in the world. Do you understand me?” “No,” she said. The magician smiled wearily. “You will. You’re in the story with the rest of us now, and you must go with it, whether you will or no.” — The Last Unicorn, by Peter S. Beagle I couldn’t have been more than 5 years old when The Last Unicorn came out on VHS and I watched it so often that my video store had to replace it within a year. My sister and I were absolutely enthralled by the delicate artistry of the unicorn, terrified of the Red Bull, and befuddled by some of the trippier moments (boob tree, anyone?). I always imagined the film to be more born of the imaginations of the production and animation studios, than of Peter S. Beagle’s writing. That is where I was woefully incorrect. This is the first time that I have ever read The Last Unicorn and, though the movie will always be my go-to, I am well and truly in love with this heartbreaking fairy tale.

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Retro Childhood Review: The Neverending Story

Bastian Balthazar Bux’s passion was books. If you’ve never spent whole afternoons with burning ears and rumpled hair, forgetting the world around you over a book, forgetting cold and hunger — If you’ve never read secretly under the bedclothes with a flashlight, because your father or mother or some other well meaning person has switched off the lamp on the plausible ground that it was time to sleep because you had to get up so early — If you have never wept bitter tears because a wonderful story has come to an end and you must take your leave of the characters with whom you have shared so many adventures, whom you have loved and admired, for whom you have hoped and feared, and without whosecompany life seems empty and meaningless — If such things have not been part of your own experience, you probably won’t understand what Bastian did next. — The Neverending Story, by Michael Ende When I was 8 years old, my father handed me a book with a magical symbol on the cover, with text in red or green by turn, with a protagonist that for all intents and purposes was ME. I doubt I could ever adequately express what this book meant to me at that particular point in my life, nor in the subsequent years in which I read the book again and again, till the corners of the pages turned soft and the imprint on the cover became something you could only see in the right light at the right angle. I first met the characters of The Neverending Story when the movie was released in 1984. I was enraptured by every aspect of the film, but it was the book that truly captured me. The movie is a near perfect adaptation of the first half of the novel, but it misses some crucial elements that make this book a powerful masterpiece of Children’s fiction.

The Skiffy and Fanty Show Podcasts

Episode 4. Into the Wardrobe with The Neverending Story (1984; dir. Wolfgang Peterson): Childhood Trauma and the Power of Story

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEp4IntoTheWardrobeTheNeverendingStory1984/SandF–Ep4–Into_the_Wardrobe–The_Neverending_Story_1984.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSIn this episode of Into the Wardrobe, Shaun and Jen are joined by the lovely Becca to talk about the movie that defined Jen’s childhood, terrified Shaun, and has now inspired Becca to find a luck dragon. That move is 1984’s The Neverending Story directed by Wolfgang Peterson. Our intrepid crew discuss their own childhood traumas that made them connect so strongly with Bastian, the problems with Atreyu’s coding as Native, the movie’s approach to the tyranny of adulthood under capitalism, the good and the bad of the film’s ending, and so much more that we lost track about half-way through and can’t continue telling you. Basically, listen to the podcast. Enjoy!