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Space Husbands!

People are totally in love with the idea of Space Husbands who are loving partners who share their lives together in almost telepathic sync, thank the Force. Perhaps we all want to find a partner who is just as loving as Baze or Chirrut.

Retro Childhood Review: The Egypt Game

But, actually, that was the way with all of the Egypt Game. Nobody ever planned it ahead, at least, not very far. Ideas began and grew and afterwards it was hard to remember just how. That was one of the mysterious and fascinating things about it. Not every single book that I read as a child was a science fiction or fantasy novel, just MOST of them. I have a feeling that the cover of Zilpha Keatley Snyder’s Newbery Honor book The Egypt Game must have tricked me into believing it was a fantasy. Surely, with a name like that, it must be a portal fantasy full of mummies, pharaohs, and gods (a childhood fancy that is problematic unto itself). My impression wasn’t entirely incorrect. But it would be more accurate to say that the portal in The Egypt Game is the vivid imaginations of the characters themselves, a magic just as powerful as anything in Narnia.

Book Review: The Guns Above by Robyn Bennis

A pair of intriguing, antagonistic characters, steampunk airships, a dry sense of humor, and feats of derring-do are at the heart of The Guns Above, a debut novel by Robyn Bennis. The novel’s strong focus on the action beats as well as the main characters marry a sense of character along with large helpings of crunchy detail to a finely honed level. Lieutenant Josette Dupre is the first female airship commander in Gandian history. She is determined, ambitious, intelligent, strong-willed, and has a delightfully dry and snarky sense of humor. She’s also keenly aware of the precarious nature of women in the Signal Corps, and her own command an even more tenuous position. At the beginning of the novel, she is convinced that she has lost her command after the destruction of the Osprey, even in service of stopping an enemy advance. Thus when she instead is given the brand new but experimental, cantankerous, and ill-designed airship Mistral, she will not allow a command, even of a potential deathtrap, to be taken from her. In a real sense, the novel is a story of the relationship of a commander to her new airship, with all the pitfalls and joys of that, especially as it turns to be a trial under fire.

Book Review: Nebula Awards Showcase 2017

Since the Nebula Awards’ inception some combination of its winners and nominees has been annually published together in a collection edited by a major genre figure. Unlike typical anthologies or collections, the content isn’t chosen by the editor, but by the members of the Science Fiction Writers of America. Therefore the responsibilities of the editor (this year Julie E. Czerneda) appear minimal, mainly to write the introduction and decide on which category might have its nominees included. Individual stories also include introductions by the authors providing insight into the creation of their work. Nebula Awards Showcase 2017 thus offers an ideal and affordable digest for seeing what members of the speculative fiction field view as its current best representations. For readers who somehow manage to keep up with all corners of the genre, the collection provides a nice summation and reminder of the current vibe, views, and insights that have gained notice. For the casual or new reader, it offers an opportunity to discover some talented writers and powerful stories.

The Intersection: Let's Talk Double Standards

These days there’s a great deal of discussion about what Diversity means (hint: it doesn’t mean cultural appropriation), why we should or shouldn’t have it, and who is permitted to engage in it. This is, despite the contention and disruption in the community, a very good thing. Change doesn’t happen unless we actively engage it—particularly when the problem in question (systemic bias) is complex and multi-layered. Let me emphasize this again: the issue of diversity in Science Fiction and Fantasy is a complex one. In my experience, it requires extensive self-awareness, a willingness to endure uncomfortable situations and discussions without defensiveness, the ability to understand that a larger, implied context is a factor in communication, and a great deal of humility. Systemic oppression isn’t an easy problem to resolve. Humanity has been struggling with it since the first human being grabbed leadership of a group and declared another group the enemy. If it were as simple as say, one group “getting over it” or “waiting until the old people die off, carrying their offensive beliefs with them,” it would’ve been resolved generations ago.

Guest Post: Movie Remakes vs. Movie Covers by Melissa F. Olson

I don’t know very much about music, but one thing I’m sure of: there’s no point in doing a cover of a song that’s exactly the same as the original. The best covers I’ve heard take a great piece of music and try something different with it. The songwriter comes at the same melody from a different angle (or in this case, key, I guess?) creating a new work that shares DNA with the original, but succeeds on its own. Last year Ryan Adams famously covered an entire Taylor Swift pop album with his own unique style, but I also like Damhnait Doyle’s haunted-music-box take on “I Want You to Want Me” or Yael Naïm’s surprisingly unsettling rendition of Britney Spears’ “Toxic.” Covers are not actually about being better or worse than the original. Good covers become their own unique thing.  And movies are often the same.