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MINING THE GENRE ASTEROID: Where Late the Sweet Birds Sang by Kate Wilhelm

“What is right for the community is right even unto death for the individual. There is no individual, there is only the community.” In the Shenandoah Valley of Virginia, in isolated Appalachia, a powerful extended family is determined to survive. Crop failure. Climate change. Ecological and environmental collapse. Pandemic, social upheaval and worse. All of this threatens the end of humanity, and indeed of most animal species in the bargain.This community builds itself a safehold to survive the turbulence and save a remnant of humanity in the bargain. When it turns out the pandemics have left everyone in the extended family infertile, the only solution that presents itself to save humanity is to clone the members of the extended family (and their local livestock as well). The clones can carry humanity ahead a generation or three, and then the ordinary course of marriage and mating can resume the community’s usual social structures.  However, once born, the clones have their own

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Geekomancer Under Glass: Beyond the Capes (Part Two)

Hello! This is S&F’s own Geekomancer, Mike Underwood, back again to talk about more comics outside the supers genre. Today, I’m going to talk about one classic and a couple of more recent up-and-coming comics. Hinterkind One of the new offerings from Vertigo following the departure of long-time executive editor Karen Berger, Hinterkind (Writer: Ian Edginton, Artist: Franceso Trifogli) is pitched as The Inverse Fables.  In this world, Faerie creatures have returned and overthrown humanity, who now live in small enclaves hidden away, like Angus and Prosper’s group, which has ironically holed up in Central Park. When their closest human neighbors in Albany

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MINING THE GENRE ASTEROID: Three Hearts and Three Lions by Poul Anderson

Holger Carlsen is an Allied covert operative in the Low Countries, fighting the Nazis in World War II. After an accident, he finds himself in a fantasy version of Europe. The West is held by Humanity, the East is held by Faerie, and the two are locked in a cold war that is looking to run hot. Not his fight, though, right? Holger needs to get home and fight the Nazis.  But why did he wind up being transported to a spot where a horse suited for him, and battle armor customized to fit him just happened to be? Who is Holger Carlsen, really, and what is the meaning of his coat of arms? And can he survive in a world where a world war like the one he left may be in the wings, but with dragons and giants instead of bombers and tanks? Three Hearts and Three Lions is one of many of the classic novels of Poul Anderson. Lighter than some of his more Scandinavian fantasy (e.g. the excellent The Broken Sword), Three Hearts and Three Lions (1961) introduced a lot of ideas into fantasy and gave them form. The division of the fantasy world into Law and Chaos. Trolls and Giants, creatures not often seen in fantasy in this point,  take the stage. And Anderson’s trolls are far more indicative of what most people think of trolls than the Cockney rhyming trolls of Tolkien’s The Hobbit.  Oh and did I mention there is a shapeshifting druid (complete with animal companion), a magical sword of ancient power (Cortana!), and the fact that you probably could stat up Holger in this fantasy realm as a Paladin and be not far from the mark?

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The Disquieting Guest — A Belated Explanation

It occurs to me, a few columns in, that I should perhaps say a couple of words about the title I have chosen for this series of barely coherent ramblings. While I did, certainly, want to suggest something ghostly, what I also had in mind was horror’s uncomfortable relationship with the rest of the field of speculative fiction.* Horror takes on many forms, but some of those share a clear family resemblance to SF and F. One obvious example is Mary Shelley’s Frankenstein. Though often hailed as the first SF novel, it is also a crucial work in the horror canon (though it is not the first horror novel — that honor goes to Horace Walpole’s The Castle of Otranto). As well, what with many writers crossing over from one genre to the other**, or fusing elements, the lines are very, very blurry.

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This Katamari Feels Scientifashionable!

(That’s probably because you’ve rolled up some weird outfits!) It seems Fashion is on the old SFnal brain lately, and I enjoy a good sartorial debate as much as … well, as much as the average person, at least. Which is to say, not enough to follow Project Runway, but enough to relish a well-rounded and amusing critique of pageantry at least. And what can be more fun than the meeting of SF and couture? Angry Trousers: So, Tansy Rayner Roberts won best fan writer at the Hugo Awards this year, and it’s pretty much because she’s awesome. I love her blog because she’s intelligent and passionate about genre, and she posts things like this list of 25 awesome urban fantasies, AKA The Angry Trousers Treatise. I love the idea of women in angry trousers as a catch all term for a certain subset of urban fantasy. Even before I read the treatise, I

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MINING THE GENRE ASTEROID: Way Station by Clifford Simak

Mining the Genre Asteroid: Way Station and the works of Clifford Simak Enoch Wallace has a secret. Okay, he actually has two. Almost a century after the Civil War, this veteran of that divisive conflict has been quietly living in the Driftless Area of southwestern Wisconsin. He has some strange neighbors (including a family whose deaf-mute daughter has some rather strange abilities) and only uses his gun in a virtual reality simulator. His second secret, though is even bigger than the first. Enoch Wallace hides an interstellar transfer point for aliens to travel through the galaxy. It is his charge to keep this important facility safe, and secret. But now the U.S. government is very interested in Enoch, enough to go snooping around. Furthermore, the Galactic Council that set up the transfer point  is fracturing and falling apart. Oh, and Enoch’s use of alien mathematics is leading him to conclude that nuclear war is coming, soon. All this means an uncertain future for both Enoch and his Way Station.

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