Author name: trishmatson

Educated as a physicist yet living as a journalist, Trish Matson is an award-winning writer and editor whose ever-expanding list of interests includes a lifelong love of SF/F, plus wordplay, libraries, games, music, dancing, audio drama, and podcasting. She’s listed as TrishEM on various fora, but you can find her most easily on Twitter.

Cover of Platform Decay by Martha Wells, featuring a helmeted, spacesuited Murderbot floating next to a ladder in a zero-gravity service tunnel.
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Book Review: Platform Decay, by Martha Wells

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Platform Decay, which will be published on May 5, is the eighth book or novella in The Murderbot Diaries (there are a few short stories, too) by Martha Wells. It’s a fun extension of the series, but I strongly advise against coming in cold, without having read most of the series, or at least having watched the Apple TV show that’s based on it. The book starts in the middle of another infiltration mission, but we don’t find out the objective until halfway through the third chapter. So if you don’t already know a lot about Murderbot and its universe, you’ll be lost.

Cover of An Accident of Dragons, by Cheri Radke, featuring a silver-green dragon coiling around a dark-skinned man playing a stringed instrument.
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Book Review: An Accident of Dragons, by Cheri Radke

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The publisher’s description of Cheri Radke’s novel, An Accident of Dragons, makes it sound like a romp: “An unlikely lord finally meets a problem he can’t flirt his way out of in this adventurous and light-hearted queer cozy fantasy featuring pirates, dragons, kidnapping, tea, and other high-fantasy delights…” It mostly is, and it’s a lot of fun, but there are also touches of long-set sorrow and suppressed issues that ended up having to be faced. So rather than just being cotton candy, there’s some meat on the bones of this story. Tasty, tasty meat.

Cover of If We Cannot Go at the Speed of Light, by Kim Choyeop, featuring a moving starfield on a viewscren, with a person at the bottom, with a Mercator projection of the Earth on either side, with various symbols superimposed on the Asian and North American continents.
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Book Review: If We Cannot Go at the Speed of Light, by Kim Choyeop

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The publisher’s description on NetGalley of If We Cannot Go at the Speed of Light says “From Korean science fiction author Kim Cho-yeop, a stunning and poignant collection of literary speculative fiction stories that explore the complexities of identity, love, death, and the search for life’s meaning, perfect for fans of Exhalation and The Paper Menagerie.” Unfortunately, as far as I’m concerned, the author (Kim Choyeop with no hyphen, as the book cover and https://library.ltikorea.or.kr/ transliterate her name, 김초엽) has a way to go before her works rise to the levels of Ted Chiang and Ken Liu, at least as far as they’re translated here by Anton Hur. However, some of the stories in this collection do include some interesting speculation, and engage this reader’s emotions.

Cover of The Killing Spell, by Shay Kauwe, featuring colorful strips of Hawaiian-print cloth swirling around a black center, with red lettering for the title and orange-yellow letters for the author's name.
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Book Review: The Killing Spell, by Shay Kauwe

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I greatly enjoyed The Killing Spell, the debut urban fantasy novel by Shay Kauwe. I’ll admit that the first chapter was a little challenging for me, because the protagonist, Kea Petrova, starts out feeling a bit overwhelmed by her family responsibilities as the young head of a household, with siblings and cousins to support, and a somewhat unreliable magical talent. She continues to be off balance and seemingly gets in over her head when a political activist is assassinated and she becomes responsible for figuring out the killing spell and tracking down the killer, but eventually she hits her stride and finds some allies. She learns that she is most powerful when she stops trying to do everything by herself and leans into her heritage and her people’s connections with nature.

Cover of Rabbit Test and Other Stories, by Samantha Mills. The negative space in the letter A of Rabbit depicts a black rabbit with a red eye, and there's also a symbol in the middle of the letter I. "Test" is in red letters. All the text is against a black background.
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Book Review: Rabbit Test and Other Stories, by Samantha Mills

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“Rabbit Test” by Samantha Mills was a stunningly good science fiction/historical fiction story. Published in Uncanny in 2022, it was inspired by the Supreme Court’s overturning of Roe V. Wade, and looked at women desperately seeking reproductive knowledge and options throughout the centuries and into the future. It won the Nebula, Locus, and Theodore Sturgeon awards for Best Short Story; it also won the Hugo, but Mills rejected that after the awards shenanigans of 2023 came to light. That was basically what I knew Mills for before this collection. I’d heard that her Compton Crook-winning debut science fantasy novel, The Wings Upon Her Back, was also great, but somehow it never made it to the top of my TBR pile. Upon seeing that Mills has a collection of her short stories coming out soon, I eagerly signed up to read and review Rabbit Test and Other Stories. I discovered that she’s written some other really great stories that I’d already read or heard from online magazines, but I hadn’t realized she was the author. Seeing all these great stories together really reinforces what an excellent and versatile author Mills already is, and increases my excitement over her potential for future amazing stories and books.

Cover of The Faith of Beasts by James S.A. Corey, featuring spaceships using beam weapons in a battle.
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Book Review: The Faith of Beasts, by James S.A. Corey

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The Faith of Beasts (Book 2 of The Captives’ War), by James S.A. Corey, is an excellent sequel to The Mercy of Gods, which I reviewed very positively last year. It continues to develop the plots and themes introduced in the first book, while expanding the world- and universe-building in unexpected yet satisfactory and exciting ways. However, it definitely doesn’t stand on its own. I didn’t regret not having reread the first book, but I would have been lost if I’d skipped it entirely. (The more recent in-universe novella Livesuit provides additional perspective but doesn’t involve any characters from the novels, so it’s not essential.) Even if I’d started here with Book 2 and managed to follow the plot and keep the characters straight, I’d probably have perceived its characters very differently, primarily Daffyd Alkhor and the spy swarm.

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