Horror Review: Penny Reeve on Victor LaValle’s The Changeling
“When you believe in things you don’t understand you suffer” Stevie Wonder’s words serve as the epitaph to Victor LaValle’s The Changeling; accurately summing up the ensuing 431 pages wherein we’re introduced to a genre-defying novel that mixes horror with the fantastic and monsters both real and imagined come a-knocking.
Horror review: Penny Reeve on A Skinful of Shadows by Frances Hardinge
Although she’s been a name within the young adult horror/fantasy scene for a while now, Frances Hardinge was recently projected into the mainstream public gaze when her novel The Lie Tree won the 2016 Costa Book of the Year Prize. After such a bar was set with her last novel, Hardinge’s fans waited with bated breath for her newest, A Skinful of Shadows. Luckily it is an intricate and masterfully told coming-of-age tale, full of intrigue and more than a little creepy, which lives up to expectations. Plus, it was nominated for the Waterstones Book of the Year Award 2017. Take that, Costa. A Skinful of Shadows is a dark fantasy novel, set during the English Civil War. We meet our protagonist, Makepeace, as a young girl who lives in the attic of her Puritan uncle’s house, along with her mother. She is haunted by very realistic dreams of ghosts and other terrifying things, and to help her deal with her strange affliction, her mother often forces her to stay in a church overnight to deal with the demons in her head.
Horror Review: Penny Reeve's Top Picks from the Mayhem Film Festival
October is my favorite month of the year. From the first of the month I put on my favorite knits — regardless of the weather outside — and draw up reading and movie lists full of horror, creepiness and witchcraft. This October I spent time watching a ton of films — a lot of which were screened at the incredibly good Mayhem Film Festival held in Nottingham, UK, each year — and I wanted to share with you my top picks, from the classic to the hilarious to the ritualistic. Have you seen anything great over the past month and a bit? Let me know in the comments.
Carmen Maria Machado’s Her Body and Other Parties (reviewed by Penny Reeve)
Carmen Maria Machado’s writing has — very rightly so — been receiving a lot of attention recently. Readers have been champing at the bit for more of Machado’s work since she set the literary world alight in 2014 with the incredible short “The Husband Stitch” and now we’re rewarded with a collection of her short stories with Her Body and Other Parties, which I’m already slating as one of my top reads of 2017. Machado has some serious literary strings to her bow, having written for NPR, Electric Literature, VICE and the New Yorker. Her short stories have appeared numerous anthologies including Best American Science Fiction and Fantasy and Best Woman’s Erotica. The new collection, featuring the aforementioned “The Husband Stitch” — which was nominated for both the Shirley Jackson and Nebula awards, as well as being longlisted for the James Tiptree Jr. and winning a Pushcart Prize special mention — has received praise from just about everyone, including author du jour Roxane Gay, LA Times and Kirkus, which shortlisted Her Body and Other Parties for their annual titular prize, despite it only being published October 3.
Horror Review: John Darnielle’s Universal Harvester (Reviewed by Penny Reeve)
I have to admit, I’m a sucker for a glorious cover. There’s absolutely nothing wrong with flying in the face of the old adage “don’t judge a book by its cover” in my opinion, especially when it’s for John Darnielle’s Universal Harvester, a glorious anodized looking thing which calls to mind a washed out ’70s psychedelic vibe, the colors layered over a cornfield ready to be shorn of its produce. Strangely haunting, one look saw Universal Harvester make its way onto my Amazon wishlist almost before I’d read the synopsis. It also helped that the novel is the second by John Darnielle — brainchild behind the Mountain Goats, whose work I admire — though I must confess this is my first foray into his literary work. Universal Harvester follows Jeremy, a motherless 20-something guy working at a video store, with little desire to move on. He has a quiet life and an unassuming relationship with his dad with whom he still lives, eating tacos and chilling out with beers, comfortably watching films together. It all seems to suit him just fine. This quiet life of Jeremy’s is disturbed, however, when during one of his shifts at the store a woman returns a video, which she mentions cuts to another movie halfway through. The spliced movie — or movies, as it later turns out — are unsettling; images of people with sacks over their heads standing on one leg, or lying in a heap, the videographer rarely shown but always present, their breath casting an eerie soundtrack to the footage. Jeremy, along with store owner Sarah Jane, don’t want to get involved with the tapes, fearing what will happen if they do, but quite rightly can’t seem to get the images out of their heads. Should they risk their quiet lives to find out what how the tapes came to be, or ignore them and stick with their peaceful lives?
