Guest Post: Julie Czerneda on Genre Flipping
Today on Skiffy and Fanty, The Gossamer Mage author Julie Czenerda talks about flipping between SF and Fantasy in her writing.
Book Review: The Devil’s Guide to Managing Difficult People by Robyn Bennis
The Devil’s Guide to Managing Difficult People is an urban fantasy that deceptively starts off as a lighthearted take on a relationship with a supernatural being and eventually turns into a meditation on deeper explorations of a character’s pain, personality, choices, and mistakes. It tempts the reader with the fun and goofiness of its initial premise and gradually sucks the reader into a study of the main character and their history in a deep and sometimes painful dive. This latest book by Robin Bennis leverages and leavens Bennis’ droll sense of humor seen in the Signal Airship series and turns it onto a fantastic urban fantasy story.
Book Review: A SECRET GUIDE TO FIGHTING ELDER GODS edited by Jennifer Brozek
The return of the Lovecraft mythos to fiction and popular culture has been a burgeoning tendency in modern day fiction and culture. From Charles Stross’ Laundry Files to plush Cthulhus, the idea of the Mythos is more well known in popular culture than ever. There has also been a surge and rise in the popularity of YA as a subgenre, with teenagers and young adults navigating some rather perilous territory. It makes sense to me that the perilous territory that YA protagonists face might include encounters with Deep Ones, the Dreamlands, Ghouls, and the other terrors inherent in the Mythos. In addition, many of the stories in Lovecraft’s oeuvre are centered around familial concerns — learning one’s heritage, coming to terms with it, rejecting it, or even being possessed by it. Of course, such family dramas can underpin many YA stories, too. Thus, in A Secret Guide to Fighting Elder Gods, editor Jennifer Brozek marries these two concepts with a selection of stories from a wide range of authors. Like any anthology, the quality and interest of an individual story and author varies for me. Some of the stories stood out for me and showed the promise and possibilities of the form. Overall, I found that the authors and the stories embraced and lived up to the challenge of introducing YA protagonists and themes into the Mythos. The Mythos, upon reflection and after reading these stories, seems to me now like a natural sub-subgenre of fantasy for YA writers to consider.
Book Review: THE RAVEN TOWER by Ann Leckie
Ann Leckie is best known for her space opera work in The Ancillary series, a series that uses a first person point of view, pronouns, scope, and perspective to give a fresh and literary spin on that subgenre. I’ve highly enjoyed Leckie’s work in this arena and was excited to discover that she has an interest in writing fantasy as well. In her new novel, The Raven Tower, a second person point of view and experimentation with narrative and protagonists support an interesting turn for the author into fantasy novels. In a world very similar to our own — save that there are Gods — conflicts between city states and other polities run very much like they did in our Earth during the bronze age. Rulers strive for temporal supremacy over important resources and locations alike. Having the favor of a God or two is the “killer app” of warfare and conflict on this world, but when both sides have powerful Gods on their sides, conflicts become more subtle, more complex, and longer lasting. A key strait and a pair of cities on either side provide a venue for men and Gods to war against each other. And the Strength and the Patience of the Hill, a humble God from the far north, watches and patiently waits, even as They (for that is the God’s preferred pronoun) are inevitably drawn into the conflict. It is the God’s story, as refracted into the human protagonist Eolo who provides much of that action that is the heart of Ann Leckie’s story in The Raven Tower.
Mining the Genre Asteroid: Rocannon’s World
When I say the words “Ursula K Le Guin and her work,” your first thought is probably either Earthsea or The Left Hand of Darkness or The Dispossessed. Or maybe you think of “The Ones Who Walk Away From Omelas”. LeGuin’s oeuvre, however, is far more than those works. Even within the Hainish verse, there is a host of other in-universe work that Le Guin has written — work that doesn’t get as much attention or play today as The Left Hand of Darkness, the Hainish Cycle’s shining star. The point of this ongoing column is to tell you why works such as this are worth your reading time and attention. Today. In our contemporary moment. And so, in today’s Mining the Genre Asteroid, I’d like to discuss Le Guin’s first published novel, Rocannon’s World.
Book Review: A MEMORY CALLED EMPIRE by Arkady Martine
Last year, I read a debut author’s space opera that was hyped by many as the Next Big Thing. Comparisons to Dune were explicitly made. The text showed that the author clearly was writing in conversation with Dune, trying to catch that magic about a big broad space opera by focusing on the life and times of a protagonist destined to have an enormous impact on their universe. But for me, that novel fell down on a number of fronts and was an enormous disappointment. This is not that book. This book steps into those shoes, attempting to capture that Dune magic, and walks miles in them. And for me, it succeeds where that other novel failed. This is A Memory Called Empire by debut novelist Arkady Martine. A Memory Called Empire is a dazzling space opera involving a Byzantine plot that immerses the reader in a fully realized world with a cast of interesting characters.
