Book Review: The Medusa Chronicles by Alastair Reynolds and Stephen Baxter
Howard Falcon is one of the most interesting characters in the oeuvre of Arthur C. Clarke. The late 21st century test pilot’s crash of an experimental helium-filled airship turns into an opportunity, as his cyborg-like existence mandated in the recovery from the accident makes him the perfect person to do the impossible: make a dive into the upper layers of Jupiter. The story of Falcon’s dive into Jupiter is in the Nebula award-winning novella “A Meeting with Medusa.” It is a story frequently anthologized, for good reason. Sense of wonder, pathos and inventive worldbuilding make it a classic. Now, with the approval of the Clarke estate, Hard SF authors Stephen Baxter and Alastair Reynolds have teamed up to tell the continued adventures and history of Howard Falcon, and his world, in The Medusa Chronicles.
Guest Post by Shanna Germain: The Importance of Grief in the Stories we Tell
Today on Skiffy and Fanty, we have a guest post from Shanna Germain. Shanna is the author of myriad stories, books, and games, as well as the co-owner of Monte Cook Games. Her most recent works include Numenera: The Poison Eater, No Thank You, Evil!, and Torment: Tides of Numenera—an Explorer’s Guide. The Importance of Grief in the Stories we Tell Our movies, shows, and books often tell us a particular story about grief. It goes like this: two people are grieving about the same thing — the loss of a child, let’s say — and they grieve differently—one wants to talk about it and one doesn’t, let’s say. And this fundamental difference in how they grieve tore them apart. And eventually they excised that grief thorn and were able to move on. Maybe together, maybe apart.
The Word for World is Rainforest: Crossroads of Canopy by Thoraiya Dyer
Unar has always been sure that she will one day be the Goddess Audblayin’s bodyguard. In a world where the thirteen Gods and Goddesses of the rainforest whose treetops she lives in die and are reincarnated in the manner of Tibetan Lamas, Unar is certain in her heart that she was meant not just to be a slave, as her parents intended. She wasn’t even meant just to be a gardener for the Goddess of growth and fertility, as she has managed to become. Unar has striven so hard to get to the garden and her current position; she is convinced that she is meant for much more. With the death of Audblayin, the Goddess’ reincarnation is certain, although the child of course must be found, brought to the Garden and raised properly. Given the nature of deities, though, Audblayin could be reincarnated as a man. As a man, the deity will need a female bodyguard. That’s the rule. Audblayin has to reincarnate as a Man, and the bodyguard he will need has to be Unar. Unar is convinced of this, and it has been her guiding passion for her entire life. But in the uncertain environment of the Garden without its Goddess, Unar is forced out of the garden she has lived years in, and even beyond the barrier that separates the Canopy from the world below it. Unar’s journey is full of dreams of finding the reincarnated Goddess and returning to the Garden in triumph and restored station. However, her trip down into the understory of the rainforest dredges up her past, her future, and reveals a force that might upset the order of the entire rainforest. Crossroads of Canopy is the debut novel from Australian Fantasy author Thoraiya Dyer.
Book Review: Upside Down: Inverted Tropes in Storytelling, edited by Jaym Gates and Monica Valentinelli
Tropes get a lot of bad press even as we crave them. People expect the Happily Ever After for a romantic comedy, but the fiftieth inevitable betrayal by the mentor in an action movie gets seen as being cliched. Movie after movie gets made, and makes box office, with a Chosen One, especially as an origin story, and at the same cry decry it as being more of the same. The website TV Tropes is a time suck, as one can get lost for hours following links on various tropes in movies, books and more, falling into a rabbit hole of storytelling conventions. So what can be said that is new about tropes? How can they be used, subverted, and rearranged? Upside Down: Inverted Tropes in Storytelling, a diverse anthology and essay collection edited by Jaym Gates and Monica Valentinelli, sets out to do just that.
Book Review: Galactic Empires, edited by Neil Clarke
In the 1970s Brian Aldiss published a seminal anthology of SF stories. Called Galactic Empires, it was a two-volume set of over two dozen stories set in such realms, with authors ranging from Arthur C. Clarke, Isaac Asimov and Poul Anderson to A.E. Van Vogt and Clifford Simak. The age of the stories spanned from the 1940s to the 1970s, not only showing a wide range of themes and ideas revolving around Galactic Empires, their rises, heights and falls, but also showing the breadth of style changes in the genre over that period. It was not only a snapshot of the subgenre, right at the time that Star Wars was dominating the cinema and changing SF forever, but a look backward to the roots of the subgenre as well. Now, in 2017, Neil Clarke has stepped into the very large shoes that Aldiss has left, and created his own anthology called Galactic Empires. Clarke’s collection of stories have the same remit as Aldiss’: To show the Galactic Empire, in all of its forms, and with a wide range of voices, styles and authors. Clarke’s choices all date from the 21st century. While this does mean that Clarke’s anthology misses the 1980s and ’90s, he does manage to capture more recent eras in glorious diversity. For all of how important the Aldiss anthology was and is, Aldiss’ general overlook of half of the SF field and having an entirely American/British viewpoint was a weakness in his anthology. Only one female author, Margaret St. Clair, was included in Aldiss’ two-volume collection. By comparison, out of the stories Clarke has gathered, nearly half are by women. Further, Clarke’s choices includes significant contributions from the likes of Yoon Ha Lee, Tobias Buckell, and Aliette de Bodard.
Book Review: Starborn by Lucy Hounsom
Kyndra is a seemingly ordinary young woman in a nondescript village in the mountains. Her mother runs an inn, and is a sometimes hard woman, even on the day of Kyndra’s Ceremony. This village does have something unusual in it — an ancient artifact, which, when invoked, will tell you your true name and your future. For decades, as children of the town have come of age, the artifact has guided them to their life and future. When Kyndra is presented to the artifact in her Ceremony, however, the artifact unexpectedly breaks, setting in motion events that will send Kyndra across the continent, and to her true destiny. An initially traditional seeming epic fantasy protagonist and world evolve into a much more nuanced and complex tale in Lucy Hounsom’s debut epic fantasy novel, Starborn.
