Book Review: The Waking Fire by Anthony Ryan
The Ironship Syndicate has a problem. This Trading Company turned governmental body has lands and operations to run, and the basis of its profitability and its strength is the blood of drakes, or dragons. Certain people can ingest elixirs made from their blood to gain temporary magical abilities. This magical science of plasmology allows for amazing temporary feats by the Blood-blessed. The sale and internal use of these elixirs, more than guns, more than steel, is what makes the power of the Ironship Syndicate possible. And the drakes are being hunted to extinction, and the captive drakes are not breeding. Without drakes, there will be no blood. With no blood, there will be no elixirs. And without elixirs, the power of the Trading Company will be under threat. The neighboring, pugnacious Corvantine Empire might take advantage, to the ruin of the Syndicate and its holdings. And so a cunning plan has been hatched at the highest levels of the Syndicate. Long there have been rumors of a color of Dragon beyond the usual Red, Blue, Black and Green. A White dragon, located in the wilderness, whose blood might … well, what the power of the blood of a white could do isn’t quite known, but it could be the one thing to change the fortunes of the Syndicate, and perhaps the world as well. And even as the Syndicate brings together agents and talented amateurs and more to make an expedition into Terra Incognita in search of the White Drake, others have their own agendas and plans in these turbulent times.
Book Review: The Masked City, By Genevieve Cogman
Universe-traversing Librarian Irene Adler and her assistant the dragon prince Kai return in The Masked City, second in The Invisible Library series following the titular volume in the series. After settling themselves in the Quasi Victorian world of airships, Fey nobles and derring-do, Irene’s life is, if not precisely stable and uneventful, at least predictable. Find rare books for the library in this alternate London, dodge machinations of local villains, spar with her bête noire, and get into adventure after adventure. Routine, right? Second novels, especially following on high-concept hot ideas like the interdimensional traveling library and librarians of Cogman’s series, are tricky. How do you keep the material fresh? How do you avoid the temptation to “do bigger, and more” as a easier substitution for the harder tricks of building on worldbuilding without making it unstable or unpalatable, and developing characters and their arcs in interesting and meaningful ways? The second novel in such writing is harder than the first, and for me as a reader, with the baseline established, I am looking for that growth and development, and read for it.
Book Review: The Medusa Chronicles by Alastair Reynolds and Stephen Baxter
Howard Falcon is one of the most interesting characters in the oeuvre of Arthur C. Clarke. The late 21st century test pilot’s crash of an experimental helium-filled airship turns into an opportunity, as his cyborg-like existence mandated in the recovery from the accident makes him the perfect person to do the impossible: make a dive into the upper layers of Jupiter. The story of Falcon’s dive into Jupiter is in the Nebula award-winning novella “A Meeting with Medusa.” It is a story frequently anthologized, for good reason. Sense of wonder, pathos and inventive worldbuilding make it a classic. Now, with the approval of the Clarke estate, Hard SF authors Stephen Baxter and Alastair Reynolds have teamed up to tell the continued adventures and history of Howard Falcon, and his world, in The Medusa Chronicles.
Guest Post by Shanna Germain: The Importance of Grief in the Stories we Tell
Today on Skiffy and Fanty, we have a guest post from Shanna Germain. Shanna is the author of myriad stories, books, and games, as well as the co-owner of Monte Cook Games. Her most recent works include Numenera: The Poison Eater, No Thank You, Evil!, and Torment: Tides of Numenera—an Explorer’s Guide. The Importance of Grief in the Stories we Tell Our movies, shows, and books often tell us a particular story about grief. It goes like this: two people are grieving about the same thing — the loss of a child, let’s say — and they grieve differently—one wants to talk about it and one doesn’t, let’s say. And this fundamental difference in how they grieve tore them apart. And eventually they excised that grief thorn and were able to move on. Maybe together, maybe apart.
The Word for World is Rainforest: Crossroads of Canopy by Thoraiya Dyer
Unar has always been sure that she will one day be the Goddess Audblayin’s bodyguard. In a world where the thirteen Gods and Goddesses of the rainforest whose treetops she lives in die and are reincarnated in the manner of Tibetan Lamas, Unar is certain in her heart that she was meant not just to be a slave, as her parents intended. She wasn’t even meant just to be a gardener for the Goddess of growth and fertility, as she has managed to become. Unar has striven so hard to get to the garden and her current position; she is convinced that she is meant for much more. With the death of Audblayin, the Goddess’ reincarnation is certain, although the child of course must be found, brought to the Garden and raised properly. Given the nature of deities, though, Audblayin could be reincarnated as a man. As a man, the deity will need a female bodyguard. That’s the rule. Audblayin has to reincarnate as a Man, and the bodyguard he will need has to be Unar. Unar is convinced of this, and it has been her guiding passion for her entire life. But in the uncertain environment of the Garden without its Goddess, Unar is forced out of the garden she has lived years in, and even beyond the barrier that separates the Canopy from the world below it. Unar’s journey is full of dreams of finding the reincarnated Goddess and returning to the Garden in triumph and restored station. However, her trip down into the understory of the rainforest dredges up her past, her future, and reveals a force that might upset the order of the entire rainforest. Crossroads of Canopy is the debut novel from Australian Fantasy author Thoraiya Dyer.
Book Review: Upside Down: Inverted Tropes in Storytelling, edited by Jaym Gates and Monica Valentinelli
Tropes get a lot of bad press even as we crave them. People expect the Happily Ever After for a romantic comedy, but the fiftieth inevitable betrayal by the mentor in an action movie gets seen as being cliched. Movie after movie gets made, and makes box office, with a Chosen One, especially as an origin story, and at the same cry decry it as being more of the same. The website TV Tropes is a time suck, as one can get lost for hours following links on various tropes in movies, books and more, falling into a rabbit hole of storytelling conventions. So what can be said that is new about tropes? How can they be used, subverted, and rearranged? Upside Down: Inverted Tropes in Storytelling, a diverse anthology and essay collection edited by Jaym Gates and Monica Valentinelli, sets out to do just that.
