Book Review: Three Space Opera Novellas from Tor.com Publishing

In the evolution and growth of the Novella program from Tor.com Publishing, an innovation that they have hit upon, as their lineup has grown and they have expanded their horizons, is the idea of thematic seasons. Instead of a welter of novellas of all kinds as they did in their initial phases, starting with 2017, the publisher has focused on themes. In Summer of 2017, the focus was on Space Opera. I’ve previously discussed All Systems Red: The Murderbot Diaries, by Martha Wells, which kicked off the Summer of Space Opera. I’ve since gone on to read three of the four other novellas in the set.
Book Review: Behind the Throne by K.B. Wagers

Behind the Throne by K.B. Wagers takes a familiar idea, the fish out of water, from a distant part of a galactic empire, and updates it for a 21st century mentality and enlightened point of view. In not all, but many works past, the protagonist would be male, it’d be a patriarchal empire ruled by a King, Emperor, what have you. Women would have at best secondary roles, with even the occasional strong female character having a relatively unexplored interior life, and certainly not a full-on point of view that gives us her real story (I’m looking at you, Princess Leia). A man’s world, where men were real men, women were real women and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centauri. Some novels and novelists have tried to buck this sausage fest of space opera in the past. Elizabeth Moon’s Vatta series, for example. Some of Debra Doyle’s and James D. MacDonald’s Mageworld novels feature a strong female protagonist front and center. Even with these exceptions, Space Opera and space adventure have for decades been overwhelmingly a male-dominated and male-catered affair. Luke Skywalker and Han Solo cast long shadows indeed.
Guest Post: Things I Wish I Knew When I Started – Thoughts on Finishing a Trilogy by Jacey Bedford

I committed trilogy accidentally—twice! It all started back in 2013 when I sold my first book to DAW and on the back of that sale was offered a three book deal for EMPIRE OF DUST (science fiction), WINTERWOOD (fantasy), and a sequel to Empire, CROSSWAYS (sold on the basis of a one page synopsis). Wow, it was the offer of my dreams; a fabulous speculative fiction publisher was paying me to do what I loved doing best—making up stories. In the bad-old (but fun) unpublished days, I’d made the classic mistake of starting to write a trilogy without having sold Book One, only to realise that the two years of work put into Book Two was a waste of time. I was never going to sell Book Two before I’d sold Book One. That should have been obvious, of course, but I was having such fun writing it that I never really stood back and asked myself what I was doing.
Guest Post: Tremontaine's Karen A. R. Lord shares her Philosophy of the Sword

This blog post originally appeared at Serial Box, where you can find serialized fiction released in episodes week after week. Karen Lord is one of the writers on Tremontaine season 3. Tremontaine is the critically acclaimed prequel to Ellen Kushner’s beloved Riverside novels, which developed a cult following beginning with Swordspoint in 1987. The “Fantasy of Manners” focuses on decadent world building and interpersonal intrigue, and has been noted for its progressive expression of gender and sexuality. Team-written by some of today’s most exciting authors, Tremontaine season 3 is brought to you by Ellen Kushner, Joel Derfner, Karen Lord, Delia Sherman, Racheline Maltese, Paul Witcover, Tessa Gratton, and Liz Duffy Adams. The first episode is available for free at Serial Box and can be found here. Being a writer is like being a director with a crowd of characters demanding ‘So, what’s my motivation?’ Like real-life actors, they don’t always listen when you tell them your plans, which is why flexible plots and rewrites are a part of my process. It’s a process that works when I’m writing a book by myself, but a joint writing project like Tremontaine is a different beast. The world belongs to Ellen Kushner, the characters belong to Ellen and the full team of Tremontaine writers, and being on the same page is not a mere metaphor, but an absolute necessity. The Tremontaine writers are passionate about the world and the characters, and it’s been an exciting experience to work with them.
Book Review: At the Table of Wolves by Kay Kenyon

Spies and Espionage are a genre of novels that is irresistible to science fiction and fantasy writers who want to mix some peanut butter in their chocolate. Cloak and Dagger, hidden agendas, betrayals, allegiances, loyalty and the glamour and seduction of the spy’s life. James Bond and his competitors, clones and remakes are just a fraction of what can be tapped, especially once someone adds science fiction and fantasy to the mix. At the Table of Wolves by Kay Kenyon is the newest in that tradition, combining 1930s British espionage with superpowers. In the world of Kenyon’s novel, superpowers, here called Talents, started appearing after the devastation of World War I. How and why precisely this Bloom occurred is not explained in detail. It’s taken as a fact, and the repercussions of that event are playing out, more than a decade later. Intelligence agencies, governments, and just plain ordinary people are dealing with the fact that some people can now show feats of precognition, or reading objects, or seeing crimes, or, perhaps, having the preternatural ability to get people, without their volition, to spill things they would never dreaming of confessing. And it is that last talent that brings us to the heroine of the novel.
Behind the Scenes of the Clan Chronicles Take 3: The Science by Julie Czerneda (Guest Post)

On a previous stop on my tour, I began answering readers’ questions about the series’ content. On another, about my writerly process. Last, and far from least, comes the group about the science beneath my work. For those unfamiliar, my background and passion is biology, plus space science, occasional physics, geology, chemistry…it’s all so FUN, there isn’t time in a life. A very good thing, therefore, that I write SF. Kimm asked, “I would like to hear which earth creatures you used to create various aliens in your world.” There isn’t time in a—let’s say, there’s been a few, but I’m delighted to share a couple you may not have spotted. What do Heterocephalus glazer (Naked Mole Rats) and Railroad “Worms” (Phrixothrix beetle larvae) have in common? The Oud. Oh, and my brain.