Book Review: City of Brass by S.A. Chakraborty
City of Brass by S.A. Chakraborty is as elusive and complicated as its main character, Nahiri. When we meet Nahiri, it is 18th century Cairo under tenuous French control. She lives in a poor section of the city, not far from the Necropolis. She’s a healer, a con artist, and a thief who is willing to rob places while the owners are away. And yet she has power and ability she herself does not quite understand, a nature that is fragile as is her position. This sets up the novel starting off, anyway, as a historical fantasy, a historical urban fantasy at that. The novel switches gears, however, when Nahiri accidentally summons a djinn. Soon on the run, Nahiri and the djinn, Dara, are traveling across the Middle East to a hidden city of the djinn, Daevabad. There, they encounter Prince Ali, already chafing under the reign of his father and the future reign of his brother, and a city on the edge of change, or destruction. We get intrigue, political agitation, ancient secrets and much more within the bounds of the city.
Book Review: Three Neo-Lovecraftian novellas from Tor.com Publishing
In the last two years, Tor.Com’s publishing division has been publishing novellas and novels engaging with elements of Lovecraft’s Mythos. With the body of Lovecraft’s work outside of copyright or at least in dispute, the Mythos has proven a fertile ground in recent years for authors who want to explore Lovecraft, react to it, make it their own. In Agents of Dreamland by Caitlin Kiernan, the author ties together elements of Lovecraft along with her own creation of the mysterious Signalman, a government agent of rather unusual provenance. Add in a mysterious contact in the vicinity of Pluto, a distinctive narrative voice, and a narrative told out of sequence. It’s Lovecraft as seen through a strong literary bent, which is perhaps 180 degrees away from Lovecraft’s Pulp homeground. And amazingly, for being everything that Lovecraft is not, it is unquestionably in dialogue and an addition to the Mythos. Kieran manages to bring the Mythos to literary fiction. Kiernan’s skills bring a whole new look at Lovecraft’s work. The Signalman as a character is a real star whose development and direction by the author makes him leap off of the page. It’s perhaps the less accessible of the new crop of Neo-Lovecraftian fiction of what I have read from Tor, meaning that I would not recommend readers from a SFF and Lovecraft bent start here. The unique voice and style are singular and are not really indicative of the form. This is a novella, though, that I would hand someone who was deeply immersed in literary fiction, familiar with its forms, and wanted to try something with a fantastic bent. In some ways, they are an even better audience than someone who has read Lovecraft and SFF. The other two novellas are on far more solid SFF ground, although with their own twist.
Book Review: Three Space Opera Novellas from Tor.com Publishing
In the evolution and growth of the Novella program from Tor.com Publishing, an innovation that they have hit upon, as their lineup has grown and they have expanded their horizons, is the idea of thematic seasons. Instead of a welter of novellas of all kinds as they did in their initial phases, starting with 2017, the publisher has focused on themes. In Summer of 2017, the focus was on Space Opera. I’ve previously discussed All Systems Red: The Murderbot Diaries, by Martha Wells, which kicked off the Summer of Space Opera. I’ve since gone on to read three of the four other novellas in the set.
Book Review: Behind the Throne by K.B. Wagers
Behind the Throne by K.B. Wagers takes a familiar idea, the fish out of water, from a distant part of a galactic empire, and updates it for a 21st century mentality and enlightened point of view. In not all, but many works past, the protagonist would be male, it’d be a patriarchal empire ruled by a King, Emperor, what have you. Women would have at best secondary roles, with even the occasional strong female character having a relatively unexplored interior life, and certainly not a full-on point of view that gives us her real story (I’m looking at you, Princess Leia). A man’s world, where men were real men, women were real women and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centauri. Some novels and novelists have tried to buck this sausage fest of space opera in the past. Elizabeth Moon’s Vatta series, for example. Some of Debra Doyle’s and James D. MacDonald’s Mageworld novels feature a strong female protagonist front and center. Even with these exceptions, Space Opera and space adventure have for decades been overwhelmingly a male-dominated and male-catered affair. Luke Skywalker and Han Solo cast long shadows indeed.
Guest Post: Things I Wish I Knew When I Started – Thoughts on Finishing a Trilogy by Jacey Bedford
I committed trilogy accidentally—twice! It all started back in 2013 when I sold my first book to DAW and on the back of that sale was offered a three book deal for EMPIRE OF DUST (science fiction), WINTERWOOD (fantasy), and a sequel to Empire, CROSSWAYS (sold on the basis of a one page synopsis). Wow, it was the offer of my dreams; a fabulous speculative fiction publisher was paying me to do what I loved doing best—making up stories. In the bad-old (but fun) unpublished days, I’d made the classic mistake of starting to write a trilogy without having sold Book One, only to realise that the two years of work put into Book Two was a waste of time. I was never going to sell Book Two before I’d sold Book One. That should have been obvious, of course, but I was having such fun writing it that I never really stood back and asked myself what I was doing.
Guest Post: Tremontaine's Karen A. R. Lord shares her Philosophy of the Sword
This blog post originally appeared at Serial Box, where you can find serialized fiction released in episodes week after week. Karen Lord is one of the writers on Tremontaine season 3. Tremontaine is the critically acclaimed prequel to Ellen Kushner’s beloved Riverside novels, which developed a cult following beginning with Swordspoint in 1987. The “Fantasy of Manners” focuses on decadent world building and interpersonal intrigue, and has been noted for its progressive expression of gender and sexuality. Team-written by some of today’s most exciting authors, Tremontaine season 3 is brought to you by Ellen Kushner, Joel Derfner, Karen Lord, Delia Sherman, Racheline Maltese, Paul Witcover, Tessa Gratton, and Liz Duffy Adams. The first episode is available for free at Serial Box and can be found here. Being a writer is like being a director with a crowd of characters demanding ‘So, what’s my motivation?’ Like real-life actors, they don’t always listen when you tell them your plans, which is why flexible plots and rewrites are a part of my process. It’s a process that works when I’m writing a book by myself, but a joint writing project like Tremontaine is a different beast. The world belongs to Ellen Kushner, the characters belong to Ellen and the full team of Tremontaine writers, and being on the same page is not a mere metaphor, but an absolute necessity. The Tremontaine writers are passionate about the world and the characters, and it’s been an exciting experience to work with them.
