Short Fiction Review: December 2018 – January 2019
One of my favorite stories I’ve read recently is “The Thing About Ghost Stories” by Naomi Kritzer, which appears in Uncanny Magazine. It’s a ghost story about a folklorist who studies ghost stories. If you like ghost stories, classification systems, mother/daughter relationships, or academic scholarship, this is a story for you. “2086” by T.K. Lê, which appeared in Strange Horizons, is another ghost story of sorts. It’s an accessible yet difficult story about immigration, family, and who’s actually valued and wanted within society. I also loved “On the Origin of Specie” by Vajra Chandrasekera, which appears in Nightmare Magazine. It’s a dark, compelling, and claustrophobic examination of taxation, protest, and agency. Lastly, for an intriguing story that blends science fiction with mythology, I recommend you check out “One’s Burden, Again” by Natalia Theodoridou, which appears in Clarkesworld Magazine.
Month of Joy: Gender Diverse Pronouns by Cameron Coulter
Gender diverse pronouns bring me joy. What are gender diverse pronouns? In short, they’re all the alternatives to she and he (for people—I’m not counting “it”). In the introduction to Capricious Issue 9: Gender Diverse Pronouns, editor A.C. Buchanan writes that gender diverse pronouns include “singular they, neopronouns, and pronoun sets of the authors’ invention.” What’s a neopronoun? Often, people use the term neopronoun to refer to gender neutral pronouns that can be used instead of singular they. I’m borrowing A.C. Buchanan’s term for this post because it’s broad, encompassing singular they, other gender neutral pronouns, and even pronouns which signify a gender identity beyond femininity or masculinity. All of these things—all of these gender diverse pronouns—bring me great joy. I love singular they pronouns. I love gender neutral neopronouns. I love invented pronouns which signify nonbinary genders. I love stories that feature characters—and societies—that use gender diverse pronouns, whether it’s singular they or entirely new pronouns that signify entirely new genders. These stories normalize diverse pronouns and gender identities, which is good and necessary work because people with diverse pronouns and gender identities are all around us.
Short Fiction Review: November 2018
This month we have three new stories by new (and newish) writers that all feature queer characters and interesting points of view. Let’s get right into it. First, if you like fairy tale retellings, check out “Toothsome Things” by Chimedum Ohaegbu, which appears in Strange Horizons. It’s an imaginative reworking of Little Red Riding Hood that’s poetic and powerful. Next, I loved “How to Swallow the Moon” by Isabel Yap, which appears in Uncanny Magazine Issue 25. This lovely novelette features a moving romance, a rad monster, and wonderful Filipino-inspired worldbuilding. Lastly, I recommend “Talk to Your Children about Two-Tongued Jeremy” by Theodore McCombs, which appears in Lightspeed Magazine Issue 102. It’s a smart and gripping story about how technology, society, and capitalism can sometimes mix together in tragic ways.
Short Fiction Review: September/October 2018
This month I have five stories to recommend, and each story is pure and simple fun. First, I loved “The House on the Moon” by William Alexander, which appears in Uncanny Magazine‘s recent Disabled People Destroy Science Fiction special issue. In this story, Ana, a disabled girl living on the moon, goes on a field trip to a Welsh castle that’s been moved onto the moon. Ana is a delightful, witty narrator who has a lot to say about the politics and constructedness of (dis)ability. Second, I recommend “Jump” by Cadwell Turnbull, which appears in Lightspeed Magazine Issue 100. In “Jump,” a couple accidentally teleports home one day, but they are unable to recreate the experience. Turnbull’s story starts with a fun science fictional “what if” and then explores its repercussions in a fascinating way. Third, do you enjoy Victorian era lost world adventure stories, but want one that deftly avoids the problematic tropes that often underlie those stories? If so, then don’t miss Carrie Vaughn’s “Harry and Marlowe and the Secret of Ahomana,” which also appears in Lightspeed Magazine Issue 100. Next, we have “Nation Building and Baptism” by Octavia Cade, which appears in Capricious Issue 10. It’s a moving tale about rebuilding and welcoming refugees after the catastrophes of climate change. If the news has you feeling down, you really should read this warm and gentle story. Lastly, if you love stories about magical books and bookstores, then you simply must check out “The Secret History of the Clockwork King” by Heather Morris, which also appears in Capricious Issue 10.
Short Fiction Review: Black Speculative Fiction Month!
Since it’s Black Speculative Fiction Month, it seems only appropriate that this month I spotlight some awesome new work by Black writers. First up, we have “Every Good-Bye Ain’t Gone” by Eden Royce, which appears in Strange Horizons‘ recent Southeastern USA special issue. It’s a séance story about family and food with a couple delightful twists. I also enjoyed “The Unusual Customer” by Innocent Chizaram Ilo, which appears in Fireside Magazine Issue 58 (August). It’s another story about family and food, except this one has more to do with women fighting off magical bad guys rather than summoning spirits. For a powerful, genuinely disturbing story about toxic masculinity informing a patriarchy, check out “Maria’s Children” by Tobi Ogundiran, which appears in The Dark Issue 40 (September). Lastly, I recommend “Running” by Itoro Udofia, which came out in August from The Book Smugglers. It’s an insightful, immersive meditation on the experience of being first-generation Nigerian-American.
Short Fiction Review: August 2018
Over the past several months, I’ve been using this column to spotlight my favorite new short stories. In particular, I’ve been attempting to spotlight work by new writers and/or writers with marginal identities. This month, I’m going to try something slightly different. Rather than spotlight short stories, I’m going to spotlight publications. Why? I was able to read a lot of short fiction over the last month, and there’s a lot of good work that deserves attention. In particular, this last month, most of my favorite stories appeared in these three publications: Nightmare Magazine (for the horror addicts), Anathema: Spec from the Margins (for those of you who love superb worldbuilding), and Broken Metropolis: Queer Tales of a City That Never Was, a new anthology of queer urban fantasy.
