Godzilla Minus One is exceptional, a movie worth seeing even if you haven’t seen Godzilla or aren’t a general fan of the countless sequels. Writer and director Takashi Yamazaki does the best job imaginable in balancing art and entertainment in his movie, infusing it with both thematic depth and relatable emotion.
Though relatively slim compared to most space operas at only 240 small-sized pages, Inversion packs a narrative punch along with rich world building and engaging thematic threads of ecology, collectivism, and resistant to militaristic colonization.
I’m now very glad that I did decide to read this; I’d encourage any other Star Trek fan who has read the licensed fiction to also check it out, even if one hasn’t seen all of DS9. Ardent fans of DS9 should particularly appreciate it. On the other hand, I wouldn’t recommend it to readers who have no familiarity with the series and its characters.
“It’s quite a saga, let me tell you! While I began THESE BURNING STARS just for fun, it slowly evolved into something complex and dense, like a house of cards.” — Bethany Jacobs
Bleak Houses, by Kate Maruyama, represents the debut of this line, consisting of two novella-length stories: Safer and Family Solstice. The small independent press Omnium Gatherum previously published Family Solstice in 2021, when Rue Morgue Magazine named it Best Fiction Book of the year. The release of Bleak Houses by RDSP thus represents an opportunity for new readers to discover that story while also being treated to another previously unpublished story born from the horrors of pandemic isolation.
In Green Fuse Burning, Morris takes Dylan Thomas’ theme of the intertwined nature of life and death in an endless cycle of time and applies it through a spectrum of ecosystems from the grandiose to the individual to explore the psychology of grief and guilt both personal and collective.
