Reviews: Beautiful Sorrows by Mercedes M. Yardley & Everything That’s Underneath by Kristi DeMeester
Many of the reviewers associated with the Skiffy and Fanty team have a contribution specialty. I’ve always avoided this because I don’t like the limitations; I read/review outside of these genres even. But if I were to have a niche, it would probably be short fiction. I adore the variety it affords and the low commitment to discover new authors. It’s easier to convince myself to step away from work for a moment to read a short story, compared to equal time reading a portion of longer works that may not have obvious stopping points. Most importantly, some of the most exciting writing I’ve seen comes from the short form.
Month of Joy: Ramblings on Biology Simple and Profound by Daniel Haeusser
It has taken me all of this month to figure out what to write. It often seemed like joy has been eluding me, what with the dire and painful state of so much sociopolitically in the world. It took me awhile to step back and remember just how much joy there is, all around. The Earth teems with it. When I was a younger reader I discovered books on the topic of cryptozoology, ones by Ivan T. Sanderson on through modern authors. The lure behind the idea that there might still be fantastic beasts out there in the world to discover fueled my excitement, hope, and imagination. But finding these cryptids, if they did exist, would certainly not be easy, and I was no Newt Scamander. However, one of the creatures the authors of these books brought up had been ‘discovered’ and scientifically recognized, despite first thought a myth by Europeans. That animal is the okapi, a half-zebra-half-giraffe animal from the dense jungles of the Democratic Republic of the Congo. The okapi stuck in my mind as something rare and miraculous, a fantastic beast that I might actually be able to see.
A Book By Its Cover: Autonomous by Annalee Newitz
From Karel Čapek’s R.U.R. to Daniel H. Wilson’s Robopocalypse to Matt “Grim-Dark” Groening’s upcoming Futurama X-Treme, the standard script for science fiction featuring artificial intelligence (AI) has been machine rising up against humanity. This theme reached its artistic pinnacle in 1953 with the widely acclaimed masterpiece Robot Monster from noted auteur Phil Tucker, a cinematic disciple of Bresson and Ozu. The plot should be as obsolete as MS-DOS 4.0. Yet, authors and Hollywood writers all keep going back to the robot production factory for ideas. The fear inherent in this fiction has historically accompanied each technological development; with each increase in technology’s power and reach, so goes the fear. Recently, both Stephen Hawking and Elon Musk voiced concerns and warnings regarding AI. Yes, it is true that Hawking and Musk are both usually known for lunatic ramblings, but their warning here does seem logical and warranted.
Book Reviews: Martian Girls, Home and Abroad
Martians Abroad by Carrie Vaughn & Mars Girls by Mary Turzillo Two young adult (YA) novels featuring feisty teen heroines from Mars recently landed in my to-be-read pile. Beyond the surface similarity between their protagonists, the two novels diverge completely, each with unique focus and drive, and different kinds of success. Newly out in trade paperback from Tor, Martians Abroad by Carrie Vaughn is the simpler of the two, written with familiar themes (adversity-conquering intellect, exceptionalism) that recall YA science fiction adventures from ‘Golden Age’ writers like Heinlein. The plot of this stand-alone novel from Vaughn is even more broadly recognizable as a typical coming-of-age setup. A teen leaves the familiarity of home to enter an institution populated by antagonistic peers and aloof adults. The ridiculed outcast slowly proves the utility of her or his outsider perspective/experience, showing-up the cliques and saving the day.
Book Review: The Wall of Storms by Ken Liu
The second volume in Ken Liu’s Dandelion Dynasty series just had its paperback release, so this felt like a good moment to review this sequel to 2015’s The Grace of Kings. If you aren’t familiar with that start to the series, you can find my review of it here, and I would not recommend starting with the sequel or reading further in this review. The plot of The Wall of Storms actually does stand rather well on its own. However, the framework of Liu’s Chinese-history inspired archipelago kingdom/culture is built in the first book and could be harder to appreciate or grasp without starting there. As hefty and epic a tome as its predecessor, The Wall of Storms seems to fit in the overall series plot arc as a transition. As meaningful and impactful as Liu’s debut novel, the sequel continues similar themes of individual and societal struggles to advance and improve, but within a political context shifted from revolt to one of maintaining benevolent power amid threats internal and external. A split between those internal to external threats comprises a hinge both conceptual and physical: forming the transition from events in The Grace of Kings to those to come in the third volume, and dividing The Wall of Storms into roughly equal halves. The novel deals with the ramifications of Kuni Garu’s populist rise to power as Emperor Ragin of Dara, with the consequences of the actions and compromises that he, and other characters, made while seeking the greater good or in yielding to their weaknesses.
Book Review: STEEL VICTORY and STEEL MAGIC by J.L. Gribble
This Sunday I featured Steel Blood for my first offering in the ‘A Book By Its Cover’ series of humorous fake reviews. I haven’t yet read this third volume in J.L. Gribble’s Steel Empires series, but I have read the first two novels, Steel Victory and Steel Magic. Seems the perfect time to write real reviews on them. In the most general sense, at least one part of that Steel Blood cover-inspired ‘review’ is correct. The Steel Empires series is a fusion of many different genre elements that make it hard to precisely classify. Urban Fantasy/Alternate History is the publisher’s cover labeling, and indeed the series overall recalls elements of The Southern Vampire Mysteries series by Charlaine Harris (the basis of True Blood), built into an alternate history world. But added into this melting pot one can also find dashes of post-apocalyptic SF and Steampunk. All of these elements don’t mix equally, or as successfully, but on the whole the two novels have character-driven and plot-driven fun that is as solidly written as the most popular urban fantasy series out there.
