Paperbacks from Hell #4: THE TRIBE by Bari Wood
The Tribe is a novel of continued relevance, as well as intellectual and emotional depth, that makes it deserving of a broad audience beyond typical horror readers. It should have crossover appeal to fans of crime fiction, historical fiction, or religious mysticism, and its themes around Jewish identity, racism, and general humanity put The Tribe on equal footing to any celebrated work of ‘literary’ fiction.
On the X Trilogy by Ti West and Mia Goth
“I’ve now gone back and re-watched the entire trilogy across two days to put some of my thoughts on the X series down, including possible answers to that question, and an argument for why that third film should be better appreciated within the context of the series as a whole.”
Book Review: OUR WINTER MONSTER by Dennis Mahoney
I’ve got a soft spot for winter horrors, where the frigid environment compounds human or supernatural threats. Perhaps its the dose of familiarity I have with winter’s beauty and winter’s dangers that makes the setting work so well for me in fiction. Anyone else who likes such seasonal scares should check out Our Winter Monster by Dennis Mahoney, just published by Hell’s Hundred Books, a new horror imprint from independent publishers Soho Press. As the chilly winds and ice continue outside, there’s no better book to curl up with under a warm blanket and a warm beverage at hand. As much as I enjoyed the novel and would recommend it to particular readers, Our Winter Monster has several weaknesses combined with its many strong points. These add up to a solid thriller that will entertain many general readers and horror fans, but which fails to achieve a potency or quality that its premise or Mahoney show potential for. The summary provided by the publisher for Our Winter Monster does a great job of succinctly relating the plot: For the last year, Holly and Brian have been out of sync. Neither can forget what happened that one winter evening; neither can forgive what’s happened since. Tonight, Holly and Brian race toward Pinebuck, New York, trying to outrun a blizzard on their way to the ski village getaway they hope will save their relationship. But soon they lose control of the car—and then of themselves. Now Sheriff Kendra Book is getting calls about a couple in trouble—along with reports of a brutal and mysterious creature rampaging through town, leaving a trail of crushed cars, wrecked buildings, and mangled bodies in the snow. To Kendra, who lost another couple to the snow just seven weeks ago, the danger feels personal. But not as personal as it feels to Holly and Brian, who are starting to see the past, the present, and themselves in a monstrous new light . . . Let’s start with some of the things I think Mahoney does really well with Our Winter Monster. The wintry environment is like a character unto itself, manifested into a monster of swirling ice and snow that evokes fear. As the plot summary suggests, the exact nature of this monster is a mixture of supernatural and psychological, a metaphoric manifestation of trauma in Holly & Brian’s past that they are partially trying to work though, and partially trying to ignore/forget. Psychological horror manifesting in physical ways is nothing new to horror, but Mahoney pulls this off very well, blending past and present through the novel. Where Our Winter Monster could easily be written more towards the thriller or mystery end of the genre spectrum, Mahoney solidifies the horror aspect with frightening images of the snow monster, the psychological fear of characters not being able to control themselves, and the violence/gore of the deaths. Characterization is one aspect of the novel that has both successes and failures. Holly and Brian stand out with the most development (understandably as the protagonists.) As the reader discovers more of their past and what is to come during this present night of trial, one can see a great arc in each of them as individuals as well as the two of them as a couple who love one another. Mahoney integrates these characters very well with the plot to show how their difficulties of relating to one another stem from the trauma that make them unsure of each of them, themselves. They have to learn how to face themselves and the individual decisions of their past. Yet, they find the strength to do this together. As the thematic core of Our Winter Monster, Mahoney does a phenomenal job in these characters and how they drive the plot. However, the secondary characters don’t come off as well. The amount that Kendra is in the novel necessitates deeper development then ends up being there. It seems as if her story should intersect in ways with Holly & Brian’s, yet I didn’t finish the novel with any sense of this being the case. Likewise, another secondary character, Tanner, could have been more fully developed, given how central he ends up being to the plot. I felt this particularly so because his role ended up feeling very predictable, even from his first appearance on the pages. Beyond being a horror novel through the story of Holly & Brian, Mahoney seems to be adding a mystery novel with the secondary characters, and this half just doesn’t have the same heart, resonance, or novelty to it. The other significant critique I would make of Our Winter Monster is that Mahoney tends toward fully explaining things to readers rather than letting ambiguity or subtlety rule. For an undemanding reader just looking for some entertaining diversion without having to invest too much focus, this approach will work on point. But an approach toward the other end of the spectrum would have helped make the novel into something more special. As I write this, I’m realizing Our Winter Monster is an interesting novel that straddles the line between mass market thriller for casual readers and psychological/supernatural horror novel for fans who are familiar with the genre tropes. By casting this bimodal net Mahoney’s book would probably capture the interest and admiration of both kind of readers while also leading to disappointing some from each camp. Perhaps because I’m fine with switching between the two branches of reading, even within a single work, the novel ended up scoring overall with me. Beyond this, I’m very interested in seeing what else Hell’s Hundred releases in the future.
Movie Review: STREET TRASH (2024) Directed by Ryan Kruger
“In terms of cheesy entertainment, I probably prefer the original. But I also enjoyed this new version for what it is, and for much of what it adds to balance things a bit more.”
Paperbacks from Hell #3: THE REAPING by Bernard Taylor
The story just exudes a gothic atmosphere that gets increasingly bizarre in ways that simultaneously attract and repel Rigby and the reader. There’s a slow build of discomfort and the sense that something is just a bit off, slowly increasing in creepiness as Rigby’s curiosity and failings further entrap him in the situation.
On Karen Lord’s REDEMPTION Series
Where Redemption in Indigo reads folksy, and frequently comical, Unraveling turns more into the subgenre of dark urban fantasy, with shades of a mystery police procedural added into a shadowy mix. Lord constructs the story as a labyrinthine exploration across dreams and realities, beyond the normal (human) flows of time and space.
