“On Game of Thrones and Gritty Fantasy: Why does it sell?” by Clifton Hill (Veil of a Warrior)
Visceral, terrible, gut wrenching, laden with death and loss. Why does it sell? And why in the genre of luminescent fairy wings, immortal wizards, and chivalrous knights that cannot die? Why do we want to bring in the grime, the stink of malice and the cut of despair? In an industry dominated by the One Ring and a boy wizard — where there was death and violence, but only to an extent — it seemed that Fantasy was a soft genre. There was the thrill of discovery, strange wondrous new lands…and magic! So what made The Game of Thrones rise so high? Perhaps because it was more real. The setting is not one of wonder; it is one terrible and dirty — where people die. A world where a single man rules with the authority to kill on a word, where political factions scheme for power and survival: the landscape of influence can change in a heartbeat.
Interview w/ Jennifer Ellis (Author of A Quill Ladder)
For this feature interview, I contacted Jennifer Ellis by email with some questions pertaining both to A Quill Ladder and the Derivatives of Displacement series in general, on writing YA, and on her perspectives as a successful indie author. Here, then, are those questions and her wonderful responses, including information on what she has in store for the future: DPH: The YA category has changed a lot since either of us was younger, and the SciFi/Fantasy offerings have exploded. In what ways did you try to make these middle grade novels balance between the classic and modern worlds? How do you balance between revealing things to the readers (and characters) and holding things back for maintaining the drive of the series?
