Zombies, race allegories, and disgruntled fathers, oh my! Shaun, Julia, Paul, and Mike are joined by the lovely Catherine Hill to discuss the first season BBC3’s In the Flesh (you all need to be watching this; no joke).
We hope you enjoy the episode!
Note: This episode is also one of the perks for Shaun’s World SF Tour fundraiser. Catherine was selected to participate in an episode; we decided to record it at LonCon3!
Spoiler Alert: the following podcast contains spoilers for the film being reviewed; if you wish to see the film without having it ruined for you, download this podcast and save it for later.
Download the episode here.
Show notes (info about our contributors can be found on the about page):
Soooo…. I’m moving all my film and television posts to this site. Because… well… this column has long needed a theme and has suffered for it. I have a difficult enough time thinking of random interesting things to say about stuff for my own blog. I do best when I’ve a central theme to work with. So… Feminism, Science Fiction, and Fantasy Media it is. I don’t feel comfortable discussing fiction because I’m an author, and that brings up conflict of interest issues at once. Films and television? I can talk about those and feel relatively comfortable. So, that’s what I’ll do. I want to go all the way back to some classic films that maybe y’all haven’t seen or thought about in a while. I also want to talk about recent films as well. Hopefully, it’ll be interesting. The ‘title’ is a riff off of a Bloom County cartoon. I like that Freyja is a goddess of love and war which warps the original sexist concept into a nice knot. That said, here goes…
First, I’ve a post about Starz’s Outlander series here. Starz has made the first episode available for free for a short time. So far, they’ve done a great job of adapting the novel. I recommend seeing it. One thing I will say about it that I did not on my blog (at least not on that post) is that I very much like that Claire is of the 1940s. She’s not a woman of the 2000s stuffed in a 1940s world. I also very much like that Jamie isn’t a man of the 2000s stuffed in the 1700s. Gabaldon did her research from what I can tell, and she doesn’t pull punches in Outlander. I hate it when authors decide to rewrite history in order to make it more palatable. At the same exact time I hate it when history is used to say that previous to 1960, all men were sexist barbarian assholes (thank you HBO’s A Game of Thrones). Although some would argue the point with me, I always felt like Diana Gabaldon did a good job of walking that line. I give the first episode five out of five stars. Continue reading
When I saw the announcement that Netflix was going to be the US distributor of the anime for Knights of Sidonia, I was intrigued. I’ve been trying to keep on top of the content wars vis a vis Netflix vs. Hulu vs. Amazon Prime, etc.
Adapted from a manga series by Tsutomu Nihei, Knights of Sidonia is a space opera that follows a seed ship of human survivors who have left the Earth after its descrution. Reminiscent of Battlestar Galactica, Macross/Robotech, and other stories, it also includes some elements of hard SF that enrich the fairly standard plot.
And this, for me, is the nature of the whole series — very interesting conceptual work and worldbuilding wrapped around a fairly standard, if grim, space opera plot with mecha pilots and giant monster invaders. Continue reading
(No, not that Gambit, Shaun :P.)
Spoilers for Marvel’s Agents of SHIELD and Captain America: The Winter Soldier ahead.)
When Marvel’s Agents of SHIELD was announced, there was excitement, there was wariness, and everything in-between. An ongoing TV show as a tie-in to a powerful superhero franchise? This was something new, something different.
There have been TV->film->TV movements, from La Femme Nikita to Star Trek, Star Wars, and more. The Matrix universe delved deep into transmedia storytelling, with animated shorts, video games, and comics.
But Agents of SHIELD was something different — clearly designed as a bridge between movies, the show started weak. Really weak. The pilot episode showed some promise, with Clark Gregg as a compelling lead and Mike Peterson giving a voice to an interesting thematic question (is the American Dream a lie?). Continue reading
At the moment, I’m in Houston for Comicpalooza. It’s been a wonderful convention, but I’m short on sleep, so I’ll apologise ahead of time if I’m not making much sense. :)
Anyway, there’s a new show I’ve been watching, and it’s on AMC. If you like American Revolutionary War era history (like me,) you might give it a try. It’s called TURN, and it’s based on the true story of America’s first spy ring. Continue reading
Hi folks! I’m back from a novel-induced hiatus, and I’m excited to talk to you all about Fall 2014 Upfronts.
For those who don’t follow TV development, Upfronts are the part of the broadcasting season where networks show off their upcoming seasons, new and returning shows, in order to secure up-front advertisement buys.
These days, the side-effect of Upfronts is that debut shows get trailers, which end up on YouTube, and then end up in blog posts by geeky writers.
I’ve watched through a number of these videos, and bring you some of the most promising and most ridiculous of these Upfronts, to get everyone excited months and months ahead of when any of these shows will be debuting.
We’re solidly into the Spring 2014 TV season now in the US, so I’ve watched a few pilots, SF/F and other, to share my thoughts with you all, the Skiffy and Fanty readership. I’ve avoided all but the most basic spoilers, since all three of these shows employ the Fifth Act Twist.
The 100, adapted from the novel of the same name by author Kass Morgan, is another entry in the CW’s effort to become the new Sci-Fi channel. Just as there was a rush of YA SF/F literature, it only makes sense that there would be a corresponding wave of YA SF/F television, and here we are.
97 years after a devastating nuclear war, life support is running out on the Ark, a hodgepodge mega-space-station cobbled together when the surface world got all toasty. In an effort to buy more time for the grown-ups, and to see if the surface is habitable, 100 juvenile inmates are dropped back to the surface, despite the fact that as far as the people on the station know, the surface is supposed to still be lethally radioactive.