Movies

The Skiffy and Fanty Show Podcasts

864. The Ghost (Lo Spettro; 1963; dir. Riccardo Freda) — At the Movies

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-864-the-ghost/SandF_864_TheGhost.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSDevious plots, ghost husbands, and personal hells, oh my! Shaun Duke, Daniel Haeusser, and DanDan join forces to talk about 1963’s The Ghost (Lo Spettro), directed by Riccardo Freda. Together, they talk about the film’s restoration by Severin Films, its themes of betrayal and comeuppance, its treatment of spiritualism, and more! Thanks for listening. We hope you enjoy the episode!

The Skiffy and Fanty Show Podcasts

861. S&F Discusses (Impromptu): 2026 Hugo Awards

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-861-2026-hugo-awards/SandF_861_2026HugoAwards.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSFan awards, books, and delicious finalists, oh my! Shaun Duke and Trish Matson host an impromptu discussion about the 2026 Hugo Awards. Together, they share and talk about the finalists, talk about the exhaustion of fandom drama, explore ballot dynamics, and more! Thanks for listening. We hope you enjoy the episode!

The Skiffy and Fanty Show Podcasts

859. Deaf Crocodile + Dead Mountaineer’s Hotel (1979; dir. Grigori Kromanov)

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-859-deaf-crocodile_202605/SandF_859_DeafCrocodile.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSAlien discos, mysterious resorts, and film restoration, oh my! Shaun Duke and Daniel Haeusser join forces to talk w/ Dennis Bartok and Craig Rogers about Deaf Crocodile Films. Together, they talk about how they got into film restoration, the trials and wonders of the process, global cinema, their upcoming Roy from Space release AND their latest release, Dead Mountaineer’s Hotel. Thanks for listening. We hope you enjoy the episode!

Poster image for Exorcismo: The Transgressive Legacy of Clasificada "S" (2024), a documentary, featuring a revealingly clad blond woman holding a blooding blade above her head, with a huge, heavy cross/sword (?) in the background, and people (?) in masks or with leathery skull-faces.
Blog Posts

Movie Review: EXORCISMO: THE TRANSGRESSIVE LEGACY OF CLASIFICADA “S” (2024)

From 1939 until 1975 Spain existed under the fascist dictatorship of Francisco Franco, general of the Nationalist forces during the preceding Spanish Civil War. For close to four decades Spanish citizens lived under an oppressive, authoritarian regime that governed in cooperation with the National Catholic Church to promote and enforce a conservative Roman Catholic society and to censor or suppress anything deemed transgressive and deviant. Absolute state control extended into artistic endeavors such as film production and release. However, by the early 1970s an aging ruling system and Franco’s waning health emboldened voices and action of dissent and resistance, including filmmakers who were able to start pushing against the limitations of state censors, at least in cuts of films produced in Spain for release in foreign markets (national cuts for release in Spain remained heavily censored.) Upon Franco’s death in 1975 the floodgates of suppressed societal emotion opened, relaxing censorship more as the nation tried to find political footing in a post-Franco reality. Depictions of violence and sex in films increased, both for their own transgressive sake under new freedoms and to use for exploration/reckoning with atrocities going back to the Spanish Civil War and past, events that were all but ‘erased’ from mention under the fascist state. By 1977 in this Transition period, the political powers in control decide to create an “S” classification rating system to label films being released that might offend public sensibilities. After decades of suppression, most of the Spanish public seemed to crave all the “S” classified films they could get. A label meant to be stigma quickly became a badge of honor and guaranteed commercial success whether simple titillation or provocative artistic works. Eroticism and horror flourished in particular. Plots could now include criticism of Catholicism or the State, painful historical memories avoided could now be confronted. Characters outside ‘traditional’ family structure or heterosexuality could be included.

The Skiffy and Fanty Show Podcasts

856. Mannequin 2 (1991; dir. Stewart Raffill) — Torture Cinema #162

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-856-mannequin-2/SandF_856_Mannequin2.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSPink Cadillacs, ridiculous fantasies, and dancing, oh my! Shaun Duke, Daniel Haeusser, and Paul Weimer join forces to talk about 1991’s Mannequin 2! Together, they talk about why the film even exists, its approach to comedy, the absurdity of its plot, and much more! Thanks for listening. We hope you enjoy the episode!

The Skiffy and Fanty Show Podcasts

854. Krakatit (1948; dir. Otakar Vávra) — At the Movies

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-854-krakatit/SandF_854_Krakatit.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSSurrealist apocalypses, power games, and WMDs, oh my! Shaun Duke and Daniel Haeusser join forces to discuss Krakatit (1948; dir. Otakar Vávra), recently re-released by Deaf Crocodile. Together, they explore the film’s gorgeous visuals, its surrealist dream logic, its politics and ideas about mass destruction, and much more! Thanks for listening. We hope you enjoy the episode!

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