March has been a month of unusual settings, stories of alienation and loss, and meditations on the nature of time.
Tade Thompson’s “The Monkey House” (Omenana #2), dystopian horror, is a story about what it means to be trapped inside a system, and the horrors one must overlook to be a part of that system; what happens when the ability to ignore horrors both natural and fantastical is seized from you and you alone? The protagonist is an unreliable narrator — or is he far more reliable as a narrator than the characters that surround him? — and holds a banal job as a paper-pusher with an insidiously creepy company whose purpose is obscured. This dystopia is set not in the future but in the eighties and follows the Orwellian tradition while being rather Kafkaesque, but adds enough facets, from dark fantasy elements to the chronic illness of the protagonist, to create something entirely new. [Read more…]