colonialism

Cover of Harmattan Season, by Tochi Onyebuchi, featuring the back of a dark-skinned man wearing a dirty djellabah, looking at a barefoot woman floating amid clouds, or clouds of debris..
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Book review: Harmattan Season, by Tochi Onyebuchi

Even the most surreal fantastic elements of the book end up being employed in ways that eventually make some sense. But despite some familiar elements, their combination and development is unique and engaging. I wouldn’t quite call Harmattan Season an easy read, but it absolutely kept me interested throughout, and I was entirely satisfied with the ending.

Cover of Inversion, by Aric McBay, from the Black Dawn series from AK Press. Picture of a natural landscape, with a bird flying, encircled by technology and a hand reaching to grasp it.
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Book Review: INVERSION by Aric McBay

Though relatively slim compared to most space operas at only 240 small-sized pages, Inversion packs a narrative punch along with rich world building and engaging thematic threads of ecology, collectivism, and resistant to militaristic colonization. 

Cover of Sordidez by E.G. Condé.
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BOOK REVIEW: SORDIDEZ BY E.G. CONDÉ

Within these two apocalyptic settings where all four of the Horsemen of Revelation ride, the stories of three protagonists intertwine via multiple points of views and narrative voices (first- and third-person). In both Puerto Rico and in the Yucatán, these characters face their dystopic present to envision positive Indigenous-led futures enacted by purposeful decolonization and embrace of their ancestral ways.

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